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San Francisco-based composer John Bischoff (1949), a student of
Robert Moran, James Tenney, Robert Ashley, and David Behrman,
pioneered interactive electronic and computer music in the 1970s.
In the 1980s, he founded the world's first computer network band,
League of Automatic Music Composers.
Artificial Horizon (Artifact, 1990) is a collaboration with Tim Perkis.
In the 1990s, he joined the ensemble the Hub, which recorded Wrecking Ball (Artifact, 1994).
His methods are best represented by the compositions collected on
Aperture (23five, 2003):
Piano 7hz (2002), Interlude (2001), Graviton (2001), Immaterial States (1999), Override (2002), Sealed Cantus (2002), and Aperture (2002).
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