|
Jacques Tourneur, uno dei grandi registi dell'horror,
diresse Cat People (1942), storia di una modista
slava che rifiuta di concedersi al marito perché teme una maledizione che
colpisce tutte le donne della sua famiglia e che, quando cessano di essere
vergini, le trasforma in felini omicidi; il marito si sfoga
con un'altra, ma la moglie si tramuta in pantera e semina il terrore
finché muore presso la gabbia delle pantere.
Leopard Man (1943)
In una cittadina esotica del New Mexico un gigolo`, Jerry Manning,
prende in prestito dal saltimbanco Charlie un
leopardo per far fare bella figura alla sua donna, la chanteuse Kiki, che
e` sempre gelosa del successo di Chiquita, ballerina di flamenco.
Il leopardo pero` fugge e la notte stessa sbrana una ragazza che tornava
a casa.
Manning e Kiki si sentono colpevoli dell'accaduto.
La polizia e i volontari danno la caccia alla bestia, servendosi dei consigli
di un esperto, Doug Galbraith, che e` venuto a dirigere il museo.
Un'altra ragazza viene sbranata dal leopardo, ma Manning si insospettisce che
la bestia sia rimasta in citta` invece che dileguarsi nei boschi.
La ballerina, a cui l'amica chiromante ha fatto le carte ottenendo sempre
cattivi presentimenti, e` la vittima successiva, proprio quando un ricco
amico le aveva donato dei soldi per la sua bambina. Jerry e` tanto convinto
che si tratti di un uomo e non del leopardo che decide di rinviare un viaggio
e fermarsi in citta` a risolvere il mistero. E infatti Charlie trova la
carcassa del leopardo, apparentemente morto da giorni. Qualcuno lo ha scuoiato
per impossessarsi della pelle. Nella notte in cui una processione di
incappucciati celebra un evento storico della zona, Jerry e Kiki tendono una
trappola a Doug, e lui ci casca. A ucciderlo e` il fidanzato della prima
vittima.
Jerry non e` l'eroe positivo, e` un codardo, un fannullone e un gigolo`
che trova la missione della sua vita. Fatalismo noir.
I Walked With A Zombie (1943, Tourneur)
Una giovane infermiera viene assunta da un ricco possidente, Paul, per accudire
la moglie gravemente malata, Jessica. Paul e` un uomo freddo e altezzoso, odiato
dal fratellastro Wes.
I due, la madre e l'inferma vivono reclusi in un forte circondato dalla
giungla in un'isola esotica. La prima notte la giovane, Betsy, viene spaventata
dalla vista di Jessica in vestaglia che sale le scale della torre. Apprende
cosi` che la donna non da` segni di vita, e` priva di emozioni, ma per il resto
gode di salute normale.
I servitori neri la introducono alle superstizioni voodoo del luogo. Ogni sera
in cui si alza il vento lei sente i tamburi dei cerimoniali.
Wes odia Paul perche' lo ritiene colpevole di cio` che accadde a Jessica.
Betsy si innamora invece di Paul in quanto si accorge del dolore profondo che
questi prova. Ma il suo amore la spinge a tentare di guarire Jessica. Decide
di provare il voodoo e porta la disgraziata dai neri. Scopre pero` che il
dottore voodoo a cui questi si affidano altri non e` che la madre dei due
fratelli. Mentre loro parlano, un nero infila una spada nel braccio di Jessica:
dalla ferita non esce sangue. Jessica e` una zombie.
La visita di Betsy dai neri accende gli animi. I neri adesso credono che Jessica
sia una zombie e non si danno pace finche' non la guariscono. Paul non crede
alle leggende, ma la madre gli confessa che Jessica mori` effettivamente
ed e` sua la responsabilita` che sia stata trasformata in zombie.
Wes invoca la morte per Jessica. Si capisce che Jessica e Wes stavano
diventando amanti quando Jessica cadde malata, e Wes non si e` mai dato pace.
Jessica adesso sente i richiami dei tamburi: i neri hanno fatto un pupazzo
a sua immagine e somiglianza e lei risponde ai loro comandi. Una sera tenta
di recarsi al cerimoniale. Paul chiude il cancello, ma Wes lo riapre e la
accompagna. I neri infilzano il pupazzo con un ago, Wes uccide Jessica con
una freccia. Poi porta il corpo alla spiaggia e si lascia avvolgere dalle
onde finche' annega. I pescatori trovano i cadaveri e li riportano al forte.
Experiment Perilous (1944)
Out Of The Past (1947) is a film noir centered on a loner and a femme
fatale. A rather boring, implausible and pointless story.
A mysterious man, Joe, drives into a small town and stops at a gas station
to inquite about the owner. The owner, Jeff, is fishing at a lake with his
fiance' Anne. Jeff is not happy to meet Joe. Joe invites him to a meeting with
his boss. Jeff takes Anne with him and on the way to the meeting place,
he tells her (in an Orson Welles-ian voice) the secret of his life,
starting with his real name. He used
to be a private detective, and one day was hired by a mobster to track down
the woman who betrayed him and ran away with his money. When he found her
in Mexico, he was fascinated by the attractive woman and decided to keep her
for himself. Kathy told him that she never stole the money from the mobster.
They started a happy life together, but one day Jeff's old partner showed up
and blackmailed them; and she killed him. Then she took off, and he found out
that she did have a bank account with the money that had been stolen. The story
is over, and they have reached the meeting place. Anne drives back, while
Jeff walks into the majestic villa. The mobster wants a job from him, and
casually introduces Kathy, who has returned to him. Jeff accepts the new job,
but senses that it's a set up: he is taken by another attractive woman
to an attorney's home so as to leave his fingerprints around (he even tells
the attorney so). Sure enough, the attorney is killed. Jeff cleans up the
apartment and hides the body. Then he visits Kathy, accuses her of being
part of the set-up and tells her that he tipped off the attorney who escaped.
Kathy, scared, confesses, and tells him that the mobster wanted to get a
briefcase from the attorney, and have Jeff be arrested for the murder. Now
Jeff knows the motive (the briefcase) and takes off. Joe walks in and tells
Kathy that he has indeed killed the attorney. She, who was still playing
the part of the poor victim, realizes that he has only
extorted from her the information about the briefcase. In fact, Jeff steals
the briefcase and hides its content: files that would send the mobster to
jail. He wants the gangsters to clear his name. The newspapers are carrying
the story of the murder and that the suspect still at large is Jeff. Anne
reads the newspaper in the small town. Joe tries to kill Jeff, but is killed.
Jeff visits the mobster and Kathy. It turns out that Kathy had misled the
mobster too: she has been lying to everybody to get what she wants,
and she's the one who ordered Joe to kill Jeff. Jeff's only consolation is
that Anne believes Jeff is innocent of the murder. But an old flame of Anne
threatens Jeff: Jeff is not good enough for a simple girl like Anne.
Back to the villa, Jeff finds that Kathy has killed the mobster. It's the
perfect solution: now Jeff will be accused also of this murder, and he
will never be able to prove that he is innocent of the attorney's murder.
He is at her mercy. It turns out she doesn't want to destroy him, she wants
him to follow her back to Mexico and start a new life. She also tells him
that he is not good for the good town girl. He has no choice anyway.
So she packs the money in her briefcase and the two of them leave in a car.
But the villa is surrounded by the police, and she realizes that he has
betrayed her. She kills him, and then the car crashes and kills her.
Nightfall (1956), adapted from David Goodis's 1947 novel, is a film noir in the vein of Out Of The Past. The story is told in a rather hysterical
manner, with abrupt changes of scene.
The plot is like a disjointed puzzle that slowly reveals itself as the pieces
are added up.
A man, Jim, is walking around town after dark. He is briefly approached by a stranger who asks him for a cigarette. In a bar Jim meets a woman,
Marie (Anne Bancroft), who begs him to loan her money because she has lost her wallet.
In the meantime the stranger arrives home to his wife and we learn that he, Ben,
is an insurance investigator who is tailing Jim.
Back at the bar Marie is nice and Jim invites her to dinner.
Then as they walk outside, suddenly two men approach them.
The woman was hired by them to bring Jim to them. And they call him Ray, not
Jim.
The two thugs take Jim/Ray out of town, to an abandoned oil derrick, to torture
him unless he tells them what
they want to know. The two gangsters want to know where a huge sum of money
is: Ray claims he doesn't know where it is.
In the meantime the insurance investigator Ben tells his wife that there
is enough evidence against Ray to send him to the electric chair, but they
first need to find the money. Ben has been following Ray for three months.
He knows Ray's every habit. And he is beginning to have doubts that Ray
committed the crime alone.
A flashbach shows Ray hunting in the mountains with his best friend, an
older doctor. Ray is a good, honest man. The doctor tells him
abut his wife, twenty years younger than him, and, aware that she is too young
for himself, seems to offer her to Ray. Suddenly they witness a car accident.
They rush to the site and help the two men who were in the car: the very same
two thugs. One has a broken
arm that the doctor fixes temporarily. Far from being grateful, the two thugs
pull out a gun, take Ray's car and discuss where to kill the two dangerous
witnesses.
Back to the oil derrick the thugs are ready to finish Ray when he finds a way
to escape. He has Marie's address and heads to her apartment. She tells him
that she thought the two thugs were police officers hunting down a dangerous
criminal. Realizing that she is in danger as much as himself, Ray tells her to
get dressed and flee with him. While she is getting dressed, he tells her the
story of what happened in the mountains: how the two thugs told them that
they had just robbed a bank and then killed the doctor in cold blood and
wounded Ray making it look like it was an argument between Ray and the doctor
in which each killed the other. Then they picked up the doctor's bag thinking
it was their bag and left. Back to Marie's apartment, Ray and Marie flee just
in time before the thugs arrive. As the thugs search Marie's apartment we learn
that Marie is a fashion model.
Ray and Marie hide in Ray's apartment, that is spied day and night by Ben.
Seeing Ray with a woman, Ben feels that he was right to suspect that Ray had
an accomplice. Ray tells Marie what happened on the mountain after the thugs
left. They left him for dead, but he was only wounded. He picked up the bag,
realized that was full of money, and walked away, knowing that the thugs would
come back looking for him.
When they found out that the doctor's wife had written love letters to Ray
(that's why the doctor was offering him his wife),
the police determined that Ray had killed the doctor and started a manhunt.
Ray had to run away from both the police and the gangsters, changing name
to Jim and moving from town
to town (and not knowing that the insurance investigator was his real nemesis).
When Ray goes to the bus station to buy two tickets for the mountains, Ben
does the same. Then Ray has to rescue Marie from the thugs at a fashion show.
The two (who are now lovers) board the bus and think that they ran away, but
Ben is on the same bus. Ben approaches Ray and believes in his version of
the story. The two drive to the shack where Ray hid the money, but the thugs
have preceded them and they already captured Marie. Luckily the thugs turn on
each other. One is killed. Ray grabs the gun of the dead one and chases
the other one into a snow plower. They fight. The gangster is run over and
mauled by the snow plower.
Jacques Tourneur diresse ancora, nello stile del maestro Val Lewton,
Night of the Demon (1958: uno psicologo è perseguitato da un satanista che gli sguinzaglia dietro un
mostro di cui egli vede soltanto le gigantesche impronte)
e Comedy of Terrors (1963:
burlesque satirico con l'auto-parodia di Boris Karloff).
|
If English is your first language and you could translate this text, please contact me.
|
