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White pianist Brad Mehldau (1970) specialized in Bill Evans-style trios
propelled by his lyrical but rather lightweight playing. After establishing
his voice on
Introducing (april 1995) and Art of the Trio - 1 (september 1996),
Mehldau began to adopt the austere approach to the piano of a Keith Jarrett
with the solo piano meditations of the Elegiac Cycle (february 1999)
and the trio concept of Places (march 2000).
Further expanding his horizons, the chamber pieces of Largo (april 2002)
ran the gamut from droning to dissonance to electronics.
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