Leonardo Art/Science Evening Rendezvous of 6 August 2018

Exploring the Frontiers of Knowledge and Imagination, Fostering Interdisciplinary Networking

Stanford, 6 August 2018
c/o Stanford University
LiKaShing building - Room LK120
Chaired by Piero Scaruffi

The LASERs are a national program of evening gatherings that bring artists and scientists together for informal presentations and conversation with an audience. See the program for the whole series. The event is free and open to everybody. Email me if you want to be added to the mailing list for the LASERs. Like previous evenings, the agenda includes some presentations of art/science projects, news from the audience, and time for casual socializing/networking.
Where: Stanford University, LiKaShing building - Room LK120
There should be ample parking in the structure on corner of Campus Drive West and Roth Way. (Stanford map)
Parking is mostly free at Stanford after 6pm.
Program (the order of the speakers might change):
  • 7:00-7:25: Li Jiang (Stanford/ Robotics) on "TBA" Abstract forthcoming... Read more
  • 7:25-7:50: Helen Blau (Stanford/ Biology) on "TBA" Abstract forthcoming... Read more
  • 7:50-8:10: BREAK. Before or after the break, anyone in the audience currently working within the intersections of art and science will have 30 seconds to share their work. Please present your work as a teaser so that those who are interested can seek you out during social time following the event.
  • 8:10-8:35: Stephanie Brown (USF/ Museum Studies) on "Authenticity, apples, and the art market: The mystery of 1939.34.3" What does it mean for a work of art to be considered a forgery, and what does the idea of authenticity in art imply?... Read more
  • 8:35-9:00: David Stork (Rambus Labs) on "The scourge of fake art" Abstract forthcoming... Read more
  • 9:00pm-9:30pm: Discussions, networking You can mingle with the speakers and the audience

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See also...
  • Other LASER series
  • Archive of past LASERs
  • Leonardo ISAST
  • Art, Technology, Culture Colloquia
  • CODAME
  • ScienceSchmoozer
  • LAST Festival
  • Other recommended events
    Bios:
    • Helen Blau (Stanford/ Biology)
    • Stephanie Brown has worked in museums as an executive director, curator, historian, and archivist. Her work has ranged from designing and implementing collections plans to curating exhibitions to institutional strategic planning. She is currently the guest curator for the Haggin Museum's reinstallation and reinterpretation of its permanent art collection. Stephanie's professional and academic interests include curatorial practice, material culture studies, and public history. Stephanie is on the Museum Studies faculty at the University of San Francisco, where she also teaches in the Art History/Arts Management program. Previously, she taught Museum Studies at Johns Hopkins University and was Executive Director of the Chevy Chase Historical Society in Chevy Chase, Maryland. Dr. Brown also served as Associate Curator for American Material Culture and Historian at Hillwood Estate, Museum and Gardens in Washington, D.C. Stephanie has a B.A. in History from Williams College and a Ph.D. in European History from Stanford University.
    • Li Jiang (Stanford/ Robotics)
    • Piero Scaruffi is a cultural historian who has lectured in three continents and published several books on Artificial Intelligence and Cognitive Science, the latest one being "The Nature of Consciousness" (2006). He pioneered Internet applications in the early 1980s and the use of the World-Wide Web for cultural purposes in the mid 1990s. His poetry has been awarded several national prizes in Italy and the USA. His latest book of poems and meditations is "Synthesis" (2009). As a music historian, he has published ten books, the latest ones being "A History of Rock and Dance Music" (2009) and "A History of Jazz Music" (2007). His latest book of history is "A History of Silicon Valley" (2011). The first volume of his free ebook "A Visual History of the Visual Arts" appeared in 2012. His latest book is "Intelligence is not Artificial" (2013). He has also written extensively about cinema and literature. He founded the Leonardo Art Science Evening Rendezvous (LASER) in 2008. Since 2015 he has been commuting between California and China, where several of his books have been translated.
    • David Stork is Rambus Fellow and directs research in the Computational Sensing and Imaging Group at Rambus Labs in Sunnyvale CA. A graduate in Physics from MIT and the University of Maryland, he's held faculty positions in Physics, Mathematics, Computer Science, Statistics, Electrical Engineering, Psychology, Neuroscience and Art and Art History variously at Wellesley and Swarthmore Colleges and Clark, Boston and Stanford Universities. He has lectured on computer image analysis of art over 250 venues in 14 countries, including major museums such as the Louvre, National Gallery London, National Gallery Washington, Metropolitan Museum of Art, Museum of Modern Art, van Gogh Museum, and Venice Biennale, and has published widely on the subject including as co-editor of the first three volumes on computer image analysis in the study of art. He delivered the 2011 C. P. Snow Memorial Lecture celebrating scholarly work spanning the arts and sciences. He is author of the second edition of Pattern classification, co-author of Seeing the Light: Optics in nature, photography, color, vision and holography. He holds 42 US patents and is a senior member of both the Optical Society of America and IEEE as well as a Fellow of the International Association for Pattern Recognition (IAPR), of the International Academy, Research and Industry Association (IARIA), and of SPIE.

    Extended abstracts:

    Blau
    Abstract forthcoming...


    Jiang
    Abstract forthcoming...


    Stork
    Abstract forthcoming...


    Brown
    What does it mean for a work of art to be considered a forgery, and what does the idea of authenticity in art imply? What does it mean for an artwork to be real, and why do we value the real so highly? And what is the role of museums in determining what's authentic and what isn't? In 1929, collector Eila Haggin McKee bought what she thought was a painting by Gauguin. The painting hung in Stockton's Haggin Museum for over seventy-five years.before it was labeled a forgery. In this talk, drawn from research I have conducted for the Haggin, I will examine the history of ownership of this painting before 1929, and the tumultuous art world of 1890s Paris that may have seen its creation. Finally, through this painting's particular story, I will investigate the ways that scholars determine authenticity, and the relationship between museums, as guardians of the real, and their public.


    Photos and videos of this evening

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    The Stanford LASERs are sponsored by the Stanford Deans of Research; Engineering; Humanities & Sciences; Medicine; and Earth, Energy & Environmental Sciences; Continuing Studies; and the Office of Science Outreach.