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After being initiated to music playing the Hammond organ in a soul group,
Steve Beresford (1950) moved to New York and mingled with the jazz improvisers.
In 1974 he returned to London and became a staple of the British "creative-jazz" scene. As a pianist, he became a member of the
Three Pullovers (Quartz Mirliton, 1977), of the
Alterations (may 1978 - Bead, 1978), with Peter Cusack on guitar, David Toop on flute, Terry Day on drums, a quartet that also released Up your Sleeve (january 1980 - Quartz, 1980) and My Favourite Animals (september 1984 Nato, 1984), and 1979-81 recordings on the posthumous Voila Enough (march 1981),
of the 49 Americans, who released 49 Americans (Choo Choo Train, 1980), Too Young To Be Ideal (choo Choo Train, 1980), We Know Nonsense (Choo Choo Train, 1981),
of the Promenaders (Y Records, 1981),
of General Strike, a trio with David Toop and David Cunningham who released My Body (Canal, 1979) and Danger in Paradise (Touch, 1985),
of the Frank Chickens, who released We are Frank Chickens (Kaz, 1985) and Get Chickenized (Flying Stir, 1987),
of Gavin Bryars' Portsmouth Sinfonia,
of Derek Bailey's Company and of the London Improvisers Orchestra, with which he recorded Proceedings (Emanem, 1999), Freedom Of The City (Emanem, 2001), The Hearing Continues (Emanem, 2000),
of the Three & Four Pullovers (Emanem, 2000).
His first solo albums were
Teatime (Incus, 1975) and The Bath Of Surprise (Piano, 1977),
which includes pieces scored for piano, acoustic guitar, trumpet, toy instruments, bath water, whistles, tubes, reeds, balloons melodica, euphonium, ukelele, flugelhorn and even a piano with a toy piano inside.
But he built his reputation mainly with a number of collaborations:
Deadly Weapons (Nato, 1986) with David Toop and John Zorn;
White String's Attached (Bead, 1979) with Nigel Coombes;
Whirled music (Quartz, 1979) with David Toop and others,
Imitation of Life (Y Records, 1981) with Toop, Honsinger and Kondo;
Directly to Pyjamas (Nato, 1987) with Han Bennink;
etc.
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Steve Beresford
ha inciso numerosi dischi per piccoli ensemble, tutti improntati alla piu'
iconoclasta originalita' e a una comicita' clownesca.
Double Indemnity (august 1980 - Y Records, 1980), un duo con il violoncellista Triston Honsinger, e' uno dei suoi capolavori atonali, con brani
follemente disarticolati come Say Hello To The Cello, sonate da camera grottesche come I Don't
Have A Bottle Named Wady e piece musicoteatrali come Pre-Echo.
La title-track e' un lungo excursus per piano e violoncello ancora nello stile
degli improvvisatori liberi.
Beresford ha pero' disperso il suo talento in operine raffinate ma piuttosto
inconcludenti. Per esempio, in
Dancing The Line (Nato, 1985),
con Kazuko Hohki al canto, Alan Hacker ai clarinetti
e David Toop ai flauti, una raccolta di forbite chanson da cabaret, i brani
migliori sono probabilmente il funk pan-etnico Sand From A Desert
e la piece atonale Clins D'Oeil.
Del lato piu' fatuo della sua carriera sono testimonianza anche i 10" dei
Melody Four, in trio con Lol Coxhill e Tony Coe a rispolverare successi d'epoca:
La Paloma (Chabada 5, 1982),
Love Plays Such Funny Games (Chabada 6, 1984),
Eleven Songs For Doris Day (Chabada 7, 1985),
Si Senor (Chabada 11, 1985),
TV? Mais Oui! (Chabada 13, 1986),
Little Pictures (Chabada 15, 1986),
Hello We Must Be Going (Chabada 16, 1986),
L'Extraordinaire Jardin De Charles Trenet (Chabada, 1988),
Shopping For Melodies vol. 1 (Chabada 19, 1988),
Shopping For Melodies vol. 2 (Chabada 21, 1988).
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Avril Brise' (Cinenato, 1987) was his first major soundtrack.
Welcome (Sidewinder Musa, 1988),
Cue Sheets (Tzadik, 1988) and
Pentimento (Cinenato, 1989),
Fish of the Week (Scatter, 1993),
Signals for Tea (Avant, 1994),
Cue Sheets II (Tzadik, 2000),
Steve Beresford (Kabuki Kore, 2002)
continued his iconoclastic, cartoonish take on jazz improvisation.
His next major collaboration was a quartet,
The Bear (Bimhuis, 1991), with Evan Parker, Arjen Gorter and Han Bennink.
October Meeting (Bimhuis, 1991),
AngelicA 93 (CAICAI, 1993),
AngelicA 1995 (A1, 1995) include solo, duo and trio improvisations.
More collaborations followed:
Short in the U.K. (Incus, 1994) with Roger Turner and Shaking Ray Levis,
Museum of Towing & Recovery (Hot Air, 1995) with Otomo Yoshihide,
Two To Tangle (Emanem, 1997) with Nigel Coombes,
B&B in Edam (ICP, 2000) with Han Bennink,
Trap Street (ICP, 2003) with Alan Tomlinson and Rogert Turner,
etc.
Another quartet with Parker was featured on Foxes Fox (Emanem, 1999).
3 Pianos (Emanem, 2001) features piano duos and trios by Beresford, Pat Thomas and Veryan Weston.
He also composed a Whistle Concert (2002)
He is also director and arranger for the Dedication Orchestra, which includes Louis Moholo and Evan Parker.
Ointment (Rossbin, 2005) is a collaboration with Tania Chen.
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(Translation by/ Tradotto da xxx)
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