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His disciple Chet Atkins simplified Travis' style by using three fingers
instead of only two. More importantly, Atkins pioneered the classic
"Nashville sound" through compositions such as
Bluesy Guitar (1946), a duet between electric guitar and clarinet,
Canned Heat (1947),
Galloping on the Guitar (1949),
Chinatown My Chinatown (1952),
Country Gentleman (1953),
Downhill Drag (1953), that progressively
downplayed the rustic role of the fiddle and the steel guitar while emphasizing
a sweeter, poppier sound based on guitar and piano.
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