Overton Wright cried and sobbed in That's How Strong My Love Is (1964), You're Gonna Make Me Cry (1965), and Eight Men Four Women (1967), three of the most melodramatic performances of southern soul, as well as wailing in the intense and haunting Willie Mitchell productions of Ace Of Spades (1970), A Nickel and a Nail (1971), and I'd Rather Be Blind Crippled and Crazy (1973).