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Takushi "Maso" Yamazaki's Masonna
(an abbreviation for "maso" and "onna" that means "masochistic woman")
was one of the earliest noise bands from Japan, releasing
(after a number of limited-edition cassettes)
the 31-minute two-song EP Shinsen Na Clitoris (Vanilla, 1990),
Mademoiselle Anne Sanglante Ou Notre Nymphomanie Aureole (1993), containing 31 brief tracks,
Noskl In Ana (Alchemy, 1994),
the 33-minute single-song Super Compact Disc (Alchemy, 1995),
Noisextra (RRRecords, 1995), containing only two jams for a total of 43 minutes,
Ejaculation Generater (Alchemy, 1996),
the visceral Inner Mind Mystique (Relapse, 1996),
Hyper Chaotic (V Records, 1996),
Freak-Out Electrolyze (Nanophonica, 1997),
Spectrum Ripper (Cold Spring, 1998),
the more mature and cohesive Frequency L.S.D. (Alien 8, 1998), one of their best,
Vestal Spacy Ritual (Alchemy, 1999),
the 20-minute EP Beauty Beast (Blast First, 1999).
Christine 23 Onna, the duo of Maso Yamazaki (Masonna, Space Machine, Acid Eater) and Fusao Toda (Angel In Heavy Syrup), specialized in wild, distorted, chaotic retro-analog electronic sounds on Shiny Crystal Planet (2000).
Yamazaki's third project Space Machine, that debuted with Cosmos From Diode Ladder Filter (Alchemy, 2001), is instead devoted to analog synthesizers.
To celebrate Yamazaki's 15th anniversary three "Freakout Triplex" albums were released: Masonna's Shock Rock (MIDI Creative, 2002),
Acid Eater (2002 - MIDI Creative, 2006),
and Space Machine's 2 (2002).
Space Machine returned with
3 (Tiliqua, 2003), containing two studio pieces and two live jams.
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