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France's
Blut Aus Nord played keyboards-tinged black metal on Ultima Thulee (1995), but began to introduce elements of
industrial music into their fourth album The Work Which Transforms God (2003). After the ambient detour of Thematic Emanation Of Archetypal Multiplicity (2005), they abandoned black metal altogether for a new gothic genre straddling the border between post-rock and doom-metal with atonal guitars and grotesque keyboards, yielding the tortured Mort (2006).
Memoria Vetusta II - Dialogue With The Stars (Candlelight, 2009) boasted
slick production and contained the
nine-minute
Disciple's Libration (Lost in the Nine Worlds).
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