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Swedish-born Benny Nilsen started recording as
Morthound during the Scandinavian "cold wave" of Raison d'Etre and In Slaughter Natives. Morthound yielded the electroacoustic suites of
This Crying Age (Cold Meat Industry, 1991),
Spindrift (1992) and
The Goddess Who Could Make The Ugly World Beautiful (1994).
Nilsen then changed moniker and began recording as Hazard a tetralogy of
albums tha focused on digital processing of natural sounds:
Lech (Malignant, 1996), North (Ash, 1998), Wind (Ash, 2001) and Land (Touch, 2002).
He then began releasing music under his own name BJ Nilsen, notably on
Fade To White (Touch, 2004) and
The Short Night (Touch, 2007). They were both drone-oriented works
based on manipulations of field recordings and instruments.
Nilsen also recorded a trilogy with Stilluppsteypa:
Vikinga Brennivin (2005),
Drykkjuvisur Ohljodanna (Helen Scarsdale Agency, 2006) and
Passing Out (The Helen Scarsdale Agency, 2008).
Other collaborations included:
Storm (Touch, 2006) with Chris Watson,
22' 22" (iDEAL, 2007) with Zev,
Second Childhood (Quecksilber, 2007) with Hildur Gudnadottir and Stilluppsteypa,
etc.
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