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Formed in 1995 in Massachusetts by guitarist Steve Brodsky, Cave In became
the leading edge of "metalcore". The catchy tunes and complex song
structures on Beyond HypotermiaUntil Your Heart Stops (Hydra Head, 1999)
gave new meaning to the cliche` of noisy, frenzied and chaotic
fusion of heavy-metal and hardcore (Converge, Coalesce, Botch).
These albums promoted Cave In to the vanguard of the post-hardcore army.
However,
the EP Creative Eclipses (1999) introduced a new band, willing to
experiment with all aspects of a song format but in a more classical manner.
Jupiter (Hydra Head, 2000) sounded like a new version of
Rush's progressive metal (Big Rift, In The Stream Of Commerce).
An even more polished and refined sound turned Tides of Tomorrow (RCA, 2002)
and Antenna (RCA, 2003)
into close relatives of Radiohead's power-pop.
Perfect Pitch Black (Hydra Head, 2005) is still a compromise between
their ambitious Jupiter and mainstream power-pop.
While the band tries to return to its metal roots,
what is still missing (even from the seven-minute Paranormal and the
grunge-y Trepanning) is the energy that had derailed their first two
albums.
Steven Brodsky's
Octave Museum (Hydra Head, 2007) was an album of orchestral pop.
Steven Brodsky followed it up with Pet Genius (2007), a hodgepodge
of rock styles.
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(Translation by/ Tradotto da Claudio Lancia)
Formati nel 1995 in Massachusetts dal chitarrista Steve Brodsky, i Cave In divennero la colonna portante del "metalcore". Le melodie orecchiabili e le strutture complesse di Beyond HypotermiaUntil Your Heart Stops (Hydra Head, 1999) conferirono un nuovo significato ai cliche` di rumorosità, frenesia e caotica fusione di heavy-metal ed hardcore (Converge, Coalesce, Botch).
Invece l’EP Creative Eclipses (1999) ci presentò una nuova band, desiderosa di sperimentare con tutti gli aspetti del formato canzone. Jupiter (Hydra Head, 2000) suona come una versione aggiornata del progressive metal dei Rush (Big Rift, In The Stream Of Commerce).
Un suono più elegante e raffinato è presente in Tides of Tomorrow (RCA, 2002) ed Antenna (RCA, 2003) relativamente vicini al power-pop dei Radiohead.
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