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After the tentative Spit at Me and Wreak Havoc on My Flesh (2006),
Dutch one-man band
Gnaw Their Tongues
elaborated a hybrid of
hellish shrieks, doom hypnosis, guitar noise, horror samples,
industrial drumming and ambient interludes
via the EPs
Horse Drawn Hearse (2006)
and Die Mutter Wahlt Das Todtenkleidchen (2007).
The EP Dawn Breaks Open Like A Wound That Bleeds Afresh (2007) increased
the elements of black metal and of noise.
The albums Reeking Pained And Shuddering (Paradigms, 2007)
and
An Epiphanic Vomiting Of Blood (Roadburn, 2007)
perfected the counterpoint of
pummeling drums, operatic vocals, electronic glitches, snippets of film soundtracks and
orchestral samples (horns, flutes and strings), all wrapped up in a claustrophobic Khanate-like atmosphere.
The EP Devotion (2008) was further removed from heavy metal, focusing on noise and drones.
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