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Half Makeshift,
the project of Maryland's sound designer Nathan Michael,
was devoted to
glitchy electronic post-rock based on piano and guitar manipulations.
His project evolved from the
massive 35-minute post-doom expressionist nightmare of Aphotic Leech (Utech, 2007)
via the
more laid-back mood of L'Anse Amort (20 Buck Spin, 2007), set in a
unstable but fundamentally more humane noisescape, to the more meditational
stance of the four-movement drone-intense requiem for humankind
Omen (Profound Lore, 2008).
Convinced that the end of the world will be coming in 2011, Michael stopped recording music.
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