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Chinese sound artist
Li Jianhong, who had played noisecore with his project D!O!D!O!D!, documented
on Ghost Temple (2005),
recorded juggernauts of solo guitar improvisations such as
the 60-minute piece of Talking Freely Before The Beginning (2pi, 2003)
and the 51-minute piece of San Sheng Shi (Archive, 2008).
The latter unleashes waterfalls and avalanches of overtones that get organized
in a swirling fluttering hurricane of guitar spasms before getting decomposed
into violent tides of drones and explosions. The most apocalyptic section ends
in a soaring, mind-bending, multi-textured "om". The vibration acquires
its own rhythm, that helps propel the "om" to a higher degree of (hyper-distorted) intensity.
RTV 702 (2004)
A Brief History of Time (2006)
Bird (2007)
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