|
White British producer and vocalist Jamie Lidell came to prominence thanks to
Super_Collider's Head On (Medicine, 1999) and Raw Digits (Rise Robots Rise, 2002), two collaborations with Christian Vogel that were instrumental in fusing soul crooning and ambient techno.
Lidell, who had relocated to Berlin, debuted solo with
Muddlin Gear (2000),
another deranged case of dissonant funk music,
but it was only five years later, on
his second solo album, Multiply (Warp, 2005), that his vision
matured: injecting different brands of old-fashioned soul music
(from Tamla Motown to Stax) into the body of techno music.
Relocating to Germany, Lidell released another collection of soul ballads,
Jim (2008), further proof that Super_Collider was Vogel's genius, not
Lidell's.
|
(Translation by/ Tradotto da xxx) Se sei interessato a tradurre questo testo, contattami
|
