Snow Patrol and Reindeer Section


(Copyright © 1999 Piero Scaruffi | Legal restrictions - Termini d'uso )

Snow Patrol: Songs For Polar Bears (2000), 5/10
Snow Patrol: When It's All Over We Still Have to Clear Up (2001), 5/10
Snow Patrol: Final Straw (2003), 5.5/10
Reindeer Section: Y'all Get Scared Now Ya Hear (2001), 4/10
Reindeer Section: Son of Evil Reindeer (2002), 4/10
Snow Patrol: Eyes Open (2006), 6/10
Snow Patrol: A Hundred Million Suns (2008), 5/10
Snow Patrol: Fallen Empires (2012), 4/10
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Snow Patrol, who relocated to Scotland from Belfast (Northern Ireland), sounded like a bad copy of Belle And Sebastian on Songs For Polar Bears (Jeepster, 2000), with the moribund Fifteen Minutes Old but also the loud boogie of Starfighter Pilot, and When It's All Over We Still Have to Clear Up (Jeepster, 2001), with the whispered psychedelic singalong of Ask Me How I Am and the casual shuffle of Making Enemies, aimless melodies anchored to mildly rocking rhythms that worked wonders as background muzak.

Final Straw (Polydor, 2003), with the touching How To be Dead, the dense, intense and dreamy Coldplay-esque Run, the jangling singalong Chocolate, and the pulsating march-like Spitting Games, began to converge towards a more personal style. They were becoming one of the most successful acts of the 2000s.

Reindeer Section was a Scottish super-group ("super" also in quantity, as it featured fifteen musicians) assembled by Gary Lightbody of the Snow Patrol, who borrowed members of Arab Strap, Belle And Sebastian, Mogwai, etc. Their first album, Y'all Get Scared Now Ya Hear (Pias, 2001), was received enthusiastically by the press, despite the fact that each song was vastly inferior to the standards of the original bands. Adding members of Teenage Fanclub and Idlewild, Son of Evil Reindeer (Bright Star Recordings, 2002) delivered more pop boredom, with the notable exception of You Are My Joy.

(Translation by/ Tradotto da Maria Antonietta Partinico)

Gli Snow Patrol, spostatisi dalla Scozia a Belfast (Irlanda del Nord), suonano come una brutta copia dei Belle and Sebastian negli album Songs For Polar Bears (Jeepster, 2000), When It's All Over We Still Have to Clear Up (Jeepster, 2001), Final Straw (Polydor, 2003), con la toccante How To Be Dead, le sognanti simil-Coldplay Run e Spitting Games.

Reindeer Section è un "super" gruppo scozzese (super anche dal punto di vista della quantità, dal momento che si caratterizza di quindici musicisti) messo assieme da Gary Lightbody degli Snow Patrol, che prese in prestito alcuni membri degli Arab Strap, Belle and Sebastian, Mogway, etc. Il loro primo album, Y'all Get Scared Now Ya Hear (Pias, 2001), fu accolto con grande entusiasmo dalla stampa, nonostante i singoli pezzi fossero decisamente inferiori agli standard mantenuti nei gruppi di provenienza. Con l’aggiunta di membri dei Teenege Fun Club e Idlewild, Son of Evil Reindeer (Bright Star Recordings, 2002) liberò un pò più di noia pop, con la chiara eccezione di You are my Joy.

Gary Lightbody's fourth Snow Patrol album, Eyes Open (2006), the top British album of the year as far as sales go, was mostly a tedious dinner party but it also delivered some of their most distinctive songs. The soaring refrain of You're All I Have relies on pounding drums and distorted guitars. The verve of Hands Open is propelled by a hard-rock riff. The combination of rhythm and vocals bestows Shut Your Eyes with a dark suspenseful atmosphere. Towering over everything else, the hit Chasing Cars was their most memorable melody, staged in a relatively empty space. A driving rhythm also surfaced in Headlights on Dark Roads but the refrain was too languid even by his standards. Open Your Eyes and You Could Be Happy are other stately melodies, the former lulled in a lush crescendo and the latter drifting in a sparse soundscape.

However, A Hundred Million Suns (2008) was another million-seller thanks to the mellow piano-driven orchestral crescendo Crack the Shutters, the rhythmic tricks of The Golden Floor, and the sentimental ballad The Planets Bend Between Us. It also included the lengthy The Lightening Strike. The sprightly but tedious Take Back the City (reminiscent of the Cars) tried in vain to break the routine.

Up To Now (2009) was a Snow Patrol career retrospective. It also included a couple of worthy experiments with funk-rock and hip-hop (Crazy in Love) and with disco-music (Just Say Yes).

Muzak has rarely sounded blander than it does on Fallen Empires (2012), for which they enlisted producer Jacknife Lee's majestic ambience.

(Translation by/ Tradotto da xxx)

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