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French duo Spektr (1), consisting of a guitarist and a drummer (but both also on programming and sampling), conceived Et Fugit Intera Fugit Irreparabile Tempus (2004) as a collage of industrial (frequently pushed to the limit of abstract noise), ambient (thick floating drones) and post-rock (indulging in extreme shifts of dynamics) elements from which only occasionally did blastbeats of black metal emerge. If that was a music of wild contrasts, Near Death Experience (2006) smoothed out the contrasts and was reduced to musique concrete with distant echoes of heavy metal. The stylistic implosion reached the nadir with the mini-album Mescalyne (2008) and its nightmarish hallucinations set in a desolate wasteland of sonic debris.
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