TV On The Radio
(Copyright © 2006 Piero Scaruffi | Legal restrictions - Termini d'uso )

Desperate Youth Blood Thirsty Babes (2004) , 7/10
Return To Cookie Mountain (2006), 7.5/10
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TV On The Radio, New York's duo of vocalist Tunde Adebimpe (who graduated in cinematography) and multi-instrumentalist David Sitek (who is also a producer), debuted with a lo-fi limited-edition 24-song album, TV On The Radio (Brooklyn Milk, 2002), but blossomed with the EP Young Liars (Touch & Go, 2003), featuring Yeah Yeah Yeahs' members Brian Chase and Nick Zinner, a bizarre hodgepodge of musical gags ranging from the pseudo-emo Young Liars to the catchy Staring at the Sun.

Adding guitarist and vocalist Kyp Malone, Desperate Youth Blood Thirsty Babes (Touch & Go, 2004) was even more stylistically ambiguous, but began to reveal a method behind the madness: the fusion of futuristic electronica, nostalgic pop and punk verve (notably in Dreams) evoked Brian Eno's Taking Tiger Mountain. Even the encyclopedic quotations littered throughout the songs were unmistakably Eno-esque in nature. Incorporating everything from progressive-rock dynamics to gospel chanting, TV On The Radio delivered the ideal soundtrack for the opening of the 21st century.
The Wrong Way blends pounding drums, driving horns and Captain Beefheart-esque bluesy vocals until they slowly coalesce into a hysterically swinging jump-blues a` la Rip Rig & Panic. Poppy concocts un unlikely fusion of doo-wop harmonies and shoegazing guitar. Don't Love You weaves a psychedelic raga around a distorted organ drone, a martial middle-eastern rhythm and petulant guitar tones. Wear You Out closes the album with a hypnotic crescendo of shamanic drumming, languid soul crooning and jazzy horns.
Few musicians have traveled the vast land bordered by the fractured industrial elegy of King Eternal, and the a-cappella vocal harmonies of Ambulance in just one album, or just one career.

(Translation by/ Tradotto da Arranger)

I TV On The Radio, duo di New York composto da Tunde Adebimpe alla voce( laureatosi in cinematografia ) e dal polistrumentista David Andrew Sitek (che e` anche un produttore), debuttano con un album lo-fi da 24 brani in edizzione limitata, TV On The Radio (Brooklyn Milk, 2002), fiorito nell' EP Young Liars (Touch & Go, 2003), che vede la partecipazione di Brian Chase e Nick Zinner degli Yeah Yeah Yeah. Questo Š un bizzarro guazzabuglio di trovate musicali che spaziano dallo pseudo-emo di Young Liars alla coinvolgente Staring at the Sun.

Con l'aggiunta del cantante e chitarrista Kyp Malone, Desperate Youth Blood Thirsty Babes (Touch & go, 2004) Š risultato essere addirittura maggiormente ambiguo stilisticamente, ma inizia a rivelarsi un metodo dietro la pazzia: la fusione di elettronica futuristica, pop nostalgico e verve punk evocano Taking Tiger Mountain di Brian Eno. Anche le enciclopediche citazioni gettate lŤ attraverso le canzoni sono tipicamente riconducibili al modo di fare di Eno. Incorporando tutto ci• che c'Š dalle dinamiche del progressive-rock alle armonie da gospel/doo-wop, i TV On The Radio hanno consegnato la colonna sonora ideale per il 21esimo secolo. Pochi musicisti hanno percorso il vasto territorio che ha per confini The Wrong Way e Ambulance in un unico album, o in una intera carriera.

The unlikedy wedding of doo-wop, shoegazing and digital ambience turned Return To Cookie Mountain (4AD, 2006) into an even more tormented sonic feast. The human voice dominates the cacophonous merry-go-round of Wash the Day, the demonic singalong Let the Devil In, and, of course, A Method (a song of a-cappella Beach Boys-esque multi-part harmonies). But the real strokes of (vocal) genius are chaotic creations such as Playhouses (acid harmonies drenched in rhythmic neurosis) and I Was A Lover (sung in a Prince-esque falsetto). The rock epos surfaces rarely: mainly in Wolf Like Me, a fibrillating boogie with a defiant melodic approach reminiscent of the New York Dolls, and the gargantuan rhythm'n'blues Blues From Down Here. Despite all the (stylistic) furor, the band remains surprisingly close to the classic format of the rock song, a self-evident fact in the catchy soul ballad Province, another falsetto-driven number, or the emphatic glam ballad Dirty Whirlwind. TV On The Radio found a way to make vocals and guitars relevant again in the age of chamber, electronic and digital arrangements.

Multi-instrumentalist David Sitek produced the debut EP, In The Bronze Age (Postfact, 2007), of dance-punk outfit Dawn Of Man, fronted by the savage vocals of Alison Russell and scarred by the dissonant guitar of Brian Clancy.

(Translation by/ Tradotto da Luca Criscuoli)

L’improbabile matrimonio tra doo-wop, shoegazing e digital ambience ha trasformato Return To Cookie Mountain (4AD, 2006) in un altro banchetto sonoro. La voce umana domina Wash the Day, Let the Devil In, A Method. L’ethos/epos rock emerge in Wolf Like Me e Blues From Down Here. Ma i veri colpi di genio sono le caotiche creazioni come Playhouses e I Was A Lover. TV On The Radio hanno trovato una strada per rendere la voce e le chitarre di nuovo attuali nell’epoca degli arrangiamenti da camera, elettronici e digitali.

(Copyright © 2006 Piero Scaruffi | Legal restrictions - Termini d'uso )
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