Icelandic cellist Hildur Gudnadottir penned the evocative vignettes of
Mount A (Touch, 2006) and
Without Sinking (Touch, 2009)
accompanying her voice with an arsenal of chamber instruments
(cello, viola da gamba, zither, piano, vibraphone, percussion).
Leyfdu Ljosinu (Touch, 2012) for cello, voice and electronics was
recorded live in the studio with no edits or overdubs.
Pan Tone (Sonic Pieces, 2012) documents an ethereal and fragile
pianist Hauschka, possibly the best of her many collaborative albums.
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