Boston-based composer Keeril Makan (1972) was first documented on record by
In Sound (Tzadik, 2008).
Target (Starkland, 2011)
is titled after the five-movement chamber lied Target (2004),
but the real highlights are elsewhere.
The 17-minute 2 (1998) for violin and percussion displays
machine-like precision and coldness in the way it sets in motion its
minimalist repetition of metallic timbres and then injects
frenzied and passional violin figures.
The 29-minute Resonance Alloy (2007) for percussion sounds like
rain dripping on metallic sheets until it dissolves into blurred noise.
Zones d'accord (2002) for solo cello
Target: Leaflet I
Target: PsyOps: Know Your Target
Target: Leaflet II
Target: Twister II
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