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Mexican-born actor Guillermo DelToro debuted as a director at 29 with
Cronos (1993), followed by Mimic (1997), based on Donald Wollheim's short story, two films about the supernatural.
Set in Spain during the Civil War of the 1930s,
El Espinazo del Diablo/ The Devil's Backbone (2001) is a ghost story,
a children story, a political fresco and a sordid melodrama.
Underlying the fairy tale of a living child who is trying to communicate with
a dead child are a story of sexual frustration and a story of political
frustration.
In the first scene a child dies, blood pouring out of his skull.
Carlos, another child, doesn't know it, but his father has been killed in the Spanish civil war. His tutor brings him to the house of a rich middle-aged lady with
a wooden leg, Carmen, the widow of a leader of the rebels, who, together with
an elderly Argentine-born doctor,
is now taking care of many children like him, orphans of dead rebels
(only boys).
Carlos' tutor begs her to take Carlos. Carmen begs him to take her gold so
the fascists will not find it if they win the war.
Carlos thinks he is just visiting the odd compound, but instead the tutor leaves
him there. While he was waiting in the courtyard, admiring an inexploded bomb
that is still stuck in the ground, he saw a strange figure that
disappeared after a few seconds. At night he thinks he hears someone.
Carlos is afraid but determined to meet the ghost, and follows him into
the basement wearing only his pajama.
The children know about the ghost, and so do Carmen and the doctor.
Jacinto also lives in the house. He is a young man, a former pupil, who now
works as a caretaker in return for shelter and food. He is engaged to the
beautiful Conchita, the housekeeper, and they dream of starting a life in
Granada.
But Jacinto is actually a sadistic man who one day scars Carlos with a knife
to punish him.
The doctor, instead, is a nice man who knows how to deal with the children.
When Carlos tells him about the ghost, the doctor shows him the secret of the
orphanage: a drink that they make out of some secret potion and that gets its
taste from the bodies of unborn children. The doctor invites him to drink
in order to heal his wound, and Carlos immediately retracts his ghost story
rather than drink. The doctor smiles, but then he drinks his own disgusting
potion: popular superstition has it that it cures male impotence.
Jacinto is also a cheater: he is Carmen's secret lover (the secret lover of
his former teacher, of the woman who saved him and raised him).
The doctor hears
them make love from the other side of the wall.
And Jaime, the most arrogant of the children, is secretely in love with
the pretty Conchita, who obviously treats him only like a child.
The children finally tell Carlos that he has been assigned the bed of a child,
Santi, who disappeared the night that the bomb dropped from the sky. Nobody
knows what happened to Santi.
Carlos looks again for Santi and finds him, but Santi is evil and locks him
in a closet.
One day the doctor learns that their friend has been taken prisoner. Knowing
that he will talk under torture, the doctor persuades Carmen to take as many
children as possible and leave before the fascists come to search the house.
He thinks that Carmen still has the gold.
So does Jacinto, who reveals the real reason for his sexual favors to Carmen:
he wants the gold. He grabs the key of the safe, but the doctor shows up in
time with a gun and kicks him out of the orphanage.
While the children get ready to leave, Jacinto returns, damages the only truck
and is pouting gasoline to set fire to the building while the children
are still inside.
Conchita sees him and grabs a gun, but can't find the strength to shoot.
Carmen and many children are killed in the explosion.
The survivors have to camp among the ruins. The doctor, wounded, is determined
to kill Jacinto.
Jaime finally tells Carlos how Santi died: he was killed by Jacinto who threw
him against a wall, breaking his skull (the first scene of the film).
Then Jacinto threw the body into the pool. Jaime watched unseen, powerless
to save his friend. Minutes later bombers appeared in the sky and a bomb fell,
narrowly missing Jaime. Now Jacinto too is determined to kill Jacinto.
In the meantime, Conchita has set out on foot to look for help. Instead
she runs into Jacinto, who does not hesitate to kill her. Jacinto is coming
with friends to loot the place. The old man is waiting for him at the
window, armed with a gun, but getting weaker. He promises to protect the
children to the end, but instead he dies.
In the meantime Jacinto meets Santi who asks: "bring him to me".
Jacinto is already there, and forces the children to help him search for
the safe. When they find it, they find it empty. BUt Jacinto is obsessed with
the gold and wants to continue searching. And he succeeds: Carmen had hidden
lots of gold inside her wooden leg.
The children had been locked in a room but a mysterious hand opens the door
for them.
The children make sure that Jacinto chases them into the room where Santi
was killed. Then they throw him in the pool for Santi to finish the job.
What really kills him is the gold that he has in his pockets: the weight
drags him to the bottom and makes him drown, his body struggling underwater
next to the skeleton of Santi.
The surviving children leave the building and start walking along the road.
Once they have left, the doctor appears at the gate:
he is the new ghost of the place. The last words of the film are his.
El Laberinto del Fauno/ The Labyrinth of the Faun/ Pan's Labyrinth (2006)
is two films in two: a harrowing war movie and a fairy tale.
The two are gently woven into each other and somehow their intercourse
gives birth to the old-fashioned melodrama of an orphan mistreated by
her stepfather. It is a mesmerizing game of symbiosis and metamorphosis.
There seem to be references to biblical events (e.g.
in the Book of Genesis mandrake root helps Rachel conceive Jacob) but, if so,
they don't follow the original.
In 1944, while Spain is run by a fascist dictator,
a girl is reading a fairy tale. The fairy tale is about a princess who left
the underworld to visit the human world and got her memory erased by the sun.
Having become mortal, she died, but her father the king still believes that
she will eventually return home. The king is building
labyrinths to welcome her back.
The reader is Ofelia, who is traveling in a car through the forest with her pregnant mother Carmen
towards the military camp where her stepfather, a captain, is stationed.
It is an old mill.
When the car stops to let her car-sick mother vomit, Ofelia takes a short walk
and finds a stone that looks like the carving of an eye. Then she finds a statue
that is missing the eye. She pushes the eyes into the stone face and a
praying mantis comes out of the mouth. When Ofelia gets into the car and the car restarts, the praying mantis flies behind it.
The stepfather is in charge of capturing the remaining communist rebels fighting
the fascist dictator.
The praying mantis shows up again. Ofelia follows it and discovers
an ancient stone labyrinth.
The captain's trusted maid Mercedes takes care of Ofelia, who makes a point
of telling her that her father was a tailor, while
the military doctor visits Carmen. The doctor does not hesitate to tell the
ruthless captain that it was not a good idea to have the pregnant woman go
on such a long tiring trip. The captain coldly replies that a son has to be
born where his father is, and the doctor is shocked that the captain is so
certain that the baby will be a boy.
When the doctor leaves, Mercedes begs him for help, implying that she is
protecting someone who was shot by the soldiers, obviously a rebel.
Meanwhile the captain's soldiers have arrested a peasant and his son,
suspecting them of cooperating with the communists. The son claims that
his father went hunting for rabbits. The captain kills him brutally by
crushing his head with a metal baton and then shoots the father in the heart.
But the old man's purse contains indeed dead rabbits.
The captain coldly reproaches the soldiers for not having carefully searched
the two peasants and takes the rabbits home for Mercedes to cook them.
Meanwhile, Ofelia wakes up and finds the praying mantis chirping next to her
and turning into a tiny fairy.
The flying fairy leads Ofelia through the labyrinth to an ugly but friendly faun.
The faun welcomes her back, believing that she is the lost princess, and gives
her a book of blank pages that is supposed to contain three tasks for her
to perform in order to regain immortality.
The following day the captain receives a huge cargo of food and medicines
that clearly draws the attention of Mercedes. Just then the soldiers spot a
fire in the forest and immediately ride in that direction. The captain finds
a syringe of antiobiotics next to the abandoned campfire. The rebels are
actually watching them but the soldiers don't see them.
Meanwhile, Ofelia wanders through the woods reading the faun's book and
is assigned the first task. She crawls into a cave until she meets a horrible
giant toad. The task is to retrieve the key that the toad guards. She succeeds
but she leaves the cave covered in mud and slime.
That evening the captain is throwing a party. He is boasting about having
cornered the remaining communists, and Mercedes walks out silently to
warn the rebels with light signals. Just then Ofelia is walking out of the
woods, shivering, dirty, her beautiful new dress destroyed.
Her mother is mad at her and sends her to be without supper.
But the praying mantis appears again. Ofelia follows her again into
the underworld to meet the faun. She delivers the key to the faun, who tells
her to keep it and gives a chalk.
The soldiers distribute food and medicines to the population but the captain
deliberately limits the amount so that they cannot give any to the rebels.
Every time Ofelia looks at the book of blank pages, the pages start displaying
something. This time the book displays blood. Ofelia runs to her other's room
and finds her in pain and covered in blood.
Ofelia knows that Mercedes is helping the rebels but is willing to keep the
secret.
Mercedes leads the doctor to her lover, Pedro. The doctor is willing to risk
his life. Pedro leads them to the camp where the rebels hide. The doctor has
to amputate the rotting leg of the leader, an older intellectual.
The doctor tells Pedro that he is a fool for fighting the vastly superior
forces of the fascists, but Pedro is determined to continue his fight.
Mercedes hands him the key to the warehouse where all the food and medicines
are stored.
The faun appears to Ofelia while she is sleeping and gives her a magic root
for her mother. The faun tells Ofelia that her next task is life-threatening.
She follows the instructions, opens a secret passage, and walks into
a long tunnel. She ends up in a room where a mannequin is sitting in front
of a table laden with delicious food, but the decoration of the room hints
at meals in which the children are the main course. Ofelia doesn't resist the
temptation to try the food. The mannequin rises and
eats the fairies who are trying to protect Ofelia. Ofelia, terrified, runs
back into the tunnel but the monster is right behind her. She barely escapes
and gives her mom the magic medicine. The doctor is pleased to see improvement
in the mother. Ofelia overhears the captain order the doctor that, if things
get worse, he has to save the child before the mother.
The rebels attack a convoy in the woods but don't steal anything. The captain
rushes there with the soldiers and is puzzled that the rebels didn't steal
anything... until he hears the explosions: the rebels have attacked his camp
to steal all the food and medicines from the warehouse, and the attack on
the convoy was just a diversion to send him away with most of the soldiers.
The captain leads the posse that chases the rebels. When they find them,
they massacre them. At the end of the battle
the soldiers kill all the rebels who are still breathing but too wounded to speak.
They save only one, one who is only wounded in the leg, and can still talk.
They take him back to the mill and the captain tortures him all night long.
At night, the faun appears to Ofelia. The surving fairy tells the faun that
Ofelia woke up the monster by eating his food, and the faun curses her to
remain human forever.
In the morning the captain calls the doctor to assist the prisoner who no longer responds to the torture.
The prisoner begs the doctor to kill him, and the doctor does it.
The captain also realizes that the doctor has been providing
medicines to the rebels.
The doctor is doomed. The captain shoots him in the back after a brief confrontation.
At the same time the captain has found the magic root and showed it to Carmen.
Carmen scolds Ofelia: magic does not exist. Carmen throws the root in the
fire, and the root starts screaming. Seconds later Carmen starts screaming too:
the birthpangs started. Carmen dies giving birth to a son. The captain is
indifferent to Carmen's death but rushes to hug his son.
Ofelia now only has Mercedes. But the prisoner has confessed enough that
the captain has started suspecting Mercedes of being an informer.
Mercedes decides to escape and Ofelia insists to leave with her,
but the captain is ready to catch them. He locks up Ofelia and prepares
to torture Mercedes. Mercedes has hidden a knife in her apron and attacks
the captain, stabbing him repeatedly. Mercedes run away. The captain is alive
and orders the soldiers to chase her. When the soldiers reach her, and surround
her, she is ready to kill herself rather than surrender but the rebels arrive
just in time to annihilate the soldiers. She can finally hug Pedro again.
At night, the faun orders Ofelia to bring the captain's son into the labyrinth.
Ofelia grabs the baby while the rebels are storming the mill, but the captain
(her step-father) sees her.
Mercedes is in fact searching for her.
The captain abandons his men and chases Ofelia into the labyrinth.
Ofelia brings the baby to the faun but then refuses to hand him over when the
faun reveals that he needs a few drops of his blood for the sacrifice that
will open the gate of the underworld.
The captain sees Ofelia talking alone (cannot see the faun), grabs the baby
from her and coldly shoots her. He walks out of the labyrinth only to find
that the rebels have conquered the mill and are waiting for him.
He hands the baby over to Mercedes and asks her to tell the baby the exact
time when he died (just like his own father did when he died in the war),
but Mercedes tells him the opposite: the baby will never even know his name.
Pedro shoots him in the head. Ofelia is dying. She wakes up in a royal room.
Her mother and her (real) father are sitting on high thrones and welcoming
her back to their kingdom: she has passed the last test by preferring to spill
her own blood rather than the blood of an innocent.
Ofelia smiles as she dies.
Crimson Peak (2015) is a horror movie that is more style than substance.
The period reconstruction is spectacular (truly extravagant), although the visual effects when the ghosts appear are not particularly impressive. The story is mostly an old-fashioned story of the seduction of a naive innocent, rescued by the courageous knight, and lacks in depth.
The plot itself is a gruesome version of an ancestral story, elements of which
surface in Henry James' novels "The Portrait of a Lady" (1881) and "Wings of the Dove",
in Edgar Allan Poe's tale "The Fall of the House of Usher" and in
Horace Walpole’s novel "The Castle of Otranto",
as well as in
Alfred Hitchcock's films Rebecca (1940), based on Daphne du Maurier’s 1938 novel, and Notorious.
The most ridiculous part of the plot is that the girl's mother warns her of "Crimson Peak" and doesn't spell out the first and last name of the seducer who till take the girl to Crimson Peak (the poor girl learns what Crimson Peak is way too late for the warning to be useful).
The story is set at the turn of the 20th century when a young unmarried heiress, Edith, daughter of a wealthy self-made widower businessman, is trying to sell her first novel but no publisher wants a ghost story. She wrote a ghost story because her dead mother appeared to her to warn her against "Crimson Peak".
Edith is not interested in society balls and flirting with handsome bachelors.
Her best friend is her childhood friend, Alan.
Her father's high society eagerly welcomes a British aristocrat, Thomas, who comes to try and sell his invention, a clay rig, to Edith's father. Edith's father notes that Thomas has already tried to find investors in several cities (from Edinburgh to Milano) and always failed. Thomas dislikes the aristocracy and rejects him. Thomas, however, has spotted Edith. He reads her novel and pretends to love it, and invites Edith to a ball, something that surprises everybody.
Thomas' sister Lucille entertains the audience with her piano playing.
Edith's father is worried by Thomas' attentions for his daughter and hires
a private detective. The detective delivers a report that stuns Edith's father
so much that he summons Thomas and Lucille and offers them a huge amount of money to leave town immediately and break Edith's heart. Lucille accepts the cheque
and later Thomas insults Edith publicly, telling her that her writing sucks.
But later someone kills Edith's father in the bathroom, and Thomas returns to
tell Edith that he was forced to insult her and that he truly loves her.
It works: Edith forgives him and accepts to marry him.
Alan is briefly suspicious when he examines the wound on the head of Edith's father and when he discovers that the old man wrote a cheque to Thomas, but nobody objects to Edith moving to Britain with her groom.
Thomas and Lucille take Edith to their dilapidated castle,
slowly sinking into the red clay that Thomas hopes to mine with his invention.
The siblings have no money but somehow have managed to keep servants.
Meanwhile, her father's lawyer is preparing to send all the money to her in Britain.
We hear Lucille and Thomas whispering something that implies they are plotting against the naive Edith.
Lucille start serving Edith a special tea every single day.
Edith is awaken at night by ghosts and Thomas is never in bed.
Edith finds old wax phonograph cylinders.
Lucille has refused to give her the keys to the castle and has forbidden her from venturing in the basement.
Increasingly agitated, Edith one day learns from Thomas that the castle is known as "Crimson Peak". Edith's health is failing her.
Lucille keeps serving tea to Edith and Edith's
health keeps worsening. And Edith keeps seeing ghosts.
Meanwhile, Thomas keeps working on his invention and digging in the red clay.
Back home, Alan shares his concerns with the lawyer and the lawyer tells him
that Edith's father hired a private detective who discovered something nasty
about Thomas.
Edith keeps seeing ghosts in the castle, and they seem to want her to leave.
Edith tells Thomas that
she wants to leave the castle. Thomas then takes her to a trip nearby and they
sleep away from the castle and have sex for the first time.
When they return home, Lucille is furiously jealous, guessing that they had sex.
Back home, Alan meets with the private detective and learns the horrible truth:
Thomas is already married to another woman. There is also a disturbing story about the siblings and the death of their mother: Lucille was locked in a mental asylum.
Edith begins to suspect Lucille.
One day Edith steals a key from Lucille
and ventures into the basement, where she finds barrels of liquid red clay (and doesn't notice a skeleton floating to the surface). She opens a trunk and finds a gramophone that belonged to the woman who made the cylinder recordings.
Meanwhile, Thomas' invention finally works. He's triumphant but Lucille is
upset that he credits Edith with the success.
Lucille notices the missing key and finds out that Edith took it.
Edith listens secretly to the recordings: they are from a woman whom Thomas married in Milano and she's accusing him of poisoning her with tea.
Edith also finds documents stored with the gramophone that proves that Thomas
has married before. There also pictures that show one of the wives had a baby from Thomas.
Edith now knows that Lucille has been poisoning her with the tea.
Thomas has married three times before, each time with a wealthy woman: Alan has just discovered the same back home, and has rushed to Britain (note: in those days it took weeks to cross the Atlantic).
We see Thomas and Lucille discussing Edith: Thomas is reluctant to kill her, Lucille has no doubt.
At night she is woken again by ghosts and looks for Thomas: she finds him in
Lucille's bedroom. The siblings are also lovers.
Lucille knows that Edith knows and is ready to kill her.
Edith tries to flee but Lucille pushes her down the stairs.
Just then Alan knocks at the door.
Alan tends to the wounded Lucille (of course she didn't die falling 20 meters)
and then tries to carry her out, but Lucille stops him. Alan confronts her and
tells Edith that the siblings killed their own mother.
Edith is devastated.
Lucille stabs Alan in an arm and forces Thomas to finish him off. Thomas,
clearly repentful but convinced that Lucille will kill Alan if he doesn't, walks towards Alan and asks him where to stab him. The doctor directs the knife to a place where it won't kill.
Lucille burns Edith's novel and forces her to sign the document that leaves
all her fortune to Thomas.
Lucille confesses that she killed Thomas’ previous wives, that she killed
Edith's father, and her own mother when she discovered that Lucille and Thomas
were incestuous lovers.
Edith flees and Thomas, repetenful and in love, protects her from Lucille.
Thomas burns the document that Edith has just been forced to sign and tells
Lucille that he won't allow her to kill Edith.
Lucille stabs him to death.
Lucille tries to kill Edith, who defends herself with another knife.
Lucille chases Edith all the way to the basement where Edith finds Alan.
Lucille chases Edith outside, where Thomas' machine now sits silent.
It's a bloody duel between the two women.
Alan's ghost appears behind Lucille. It distracts Lucille so that Edith can
kill her.
Edith and Alan walk away in the snow, both wounded.
Lucille becomes the new ghost of the castle, playing her piano for eternity.
The Shape Of Water (2017) was a much more conventional Hollywood film,
an unlikely love story with a happy/melodramatic ending of sorts,
told as a fairy tale, mixed with a Cold War-era spy thriller and some nostalgic retro visual art, but hurt by a
ridiculous ending worthy of the most moronic Hollywood endings.
The story is set at the beginning of the television era.
Elisa is a mute who lives alone in an apartment above a movie theater.
She works as a janitor in a top-secret laboratory. Her best friend Zelda is a
black janitor who talks to her all the time. One day they are cleaning a
room full of scientists when they witness the arrival of a new piece
of equipment. Elisa touches it and realizes that inside there is a living
being, which becomes restless, and the scientists quickly move it out of sight.
She has dinner with a middle-aged poster designer, Giles, and then they watch television together.
They are good friends and neighbors.
One day Elisa and her black friend witness the horrible mutilation of an
arrogannt scientist, Strickland, but they don't seem too upset.
They simply leave the scene and go to eat something until the lab manager calls
them to clean up the blood
from the floor of the laboratory.
Elisa finds two fingers on the floor.
She sees again the cage full of water and catches a
glimpse of the animal, an amphibian humanoid that swims inside.
She tells about the animal to Giles. Their passtime is to watch TV.
We see that Giles is a struggling artist, who lost his job and tries to sell
his posters to the corporation that fired him.
Another time, alone in the laboratory, she sees that the animal has been tied
to a chain and is swimming inside a pool. She offers him an egg. He grabs it
and swims away.
The beast is both scary and scared.
The arrogant scientist, who has had the severed fingers grafted back to his hand,
summons Elisa and Zelda and tells them that the beast is not human,
that he found him in Amazonia and that they dislike each other.
We learn that Elisa was an orphan, found in a river, and that someone cut
her larynx when she was a child.
We are not told how his fingers were severed.
He has a sexy wife and two children, a regular family of the time.
Meawnwhile, Elisa keeps secretly bringing eggs to the creature.
She even plays the record of a romantic song for him and he is mesmerized.
She behaves as if she's in love with the beast, and one day a scientist sees
her flirting with him. This scientist is a Soviet spy who is writing reports
on what is going in the lab. Dimitri lets his fellow spies know that he has
evidence the beast is intelligent.
One day Elisa finds the beast chained outside the water pool and bleeding.
She hides when the arrogant scientist comes in: he is sadistically
torturing the beast with an electrical baton.
We learn how the fingers of the sadistic man were severed:
the beast bit them off his hand,
Elisa, hiding in the lab, witnesses the visit of a general.
While scientists and the general chat, the beast is agonizing because it needs water.
The reason that this beast is so important for the military is that the Soviet
Union just sent a human in space, and the USA wants to do the same, and needs
a human who can breathe like this beast. They know that the Soviets want the
beast too.
They see the beast as a strategic advantage over the Soviet Union because they can use it for space exploration.
At home Elisa tells Giles that she pities the monster, but Giles is not moved: animals are not humans.
Elisa sees from a window that the general and the arrogant scientist decide to
vivisect the beast against the objection of the good Russian scientist.
Back home she tells her middle-aged friend Giles that she wants to save the beast.
He understands her sign language. She cries. She loves the beast.
Giles tries again to sell a poster to the corporation but is rejected again,
and understands that he doesn't have a chance.
Giles gets in trouble also at his favorite restaurant because he objects when
the racist owner kicks out a Black couple.
This convinces him to help Elisa because she's the only friend he has.
Meanwhile the Russians are plotting. Dimitri has reported back that the general
wants to vivisect the beast. Dimitri's superior orders him to kill the beast before that can happen in order to make sure that the USA doesn't learn anything from
the beast's anatomy. Dimitri, however, is a scientist before he is a Soviet patriot
and wants to keep the beast alive.
Elisa has worked out a detailed plan to free the beast, and Giles helps her
fake the id cards that will get him inside the lab.
Surprisingly, the arrogant scientist is attracted by Elisa's handicap and tries to seduce her.
Dimirtri, who goes by the name Bob in the lab, pleads in vain the arrogant
Strickland to postpone the vivisection.
Meanwhile, Elisa has tampered with the surveillance camera and Zelda cannot find her.
Bob/Dimitri catches Elisa trying to free the beast and understands what she is doing. Instead of stopping her, he gives
her the keys and tells her what the beast needs to survive. He activates
his own plan, that in theory should lead him to kill the beast, but with the
purpose to help her smuggle the beast out of the lab.
Zelda finds Elisa while she is moving the beast and thinks she's mad but
Elisa is so determined that Zelda decides to help her in her criminal act.
Dimitri/Bob blows up the electrical grid, Giles can
drive the laundry van to the leading dock, Elisa and Zelda and Bob
load the beast in the van. Zelda and Bob/Dimitri
leave normally. Strickland has sensed what is happening
but cannot stop the van. He doesn't see Elisa or Zelda or Bob.
Elisa and Giles unload the agonizing beast (that cannot stay long out of water) into her bathtub.
Now Elisa has a plan to release the beast in the sea when it rains.
Elisa is at work and
Giles at home is supposed to watch over the beast. Giles falls asleep
and the beast starts walking around the man's apartment.
The beast finds the Giles' cat and devours it.
Then the beast runs away injuring Giles.
Elisa finds the beast in the movie theater downstairs, staring at a movie in the
deserted room.
She brings him back and the beast is sorry to see the man's injuries, and even
plays with the remaining kitties. He seems to understand human feelings.
Alone with the beast, she undresses and has sex with him in the bathtub.
The following day she smiles nonstop. She confesses the sex to Zelda.
Elisa floods her bathroom to have sex underwater with the beast and causes
the water to rain down into the movie theater.
Giles wakes up with no wounds: the beast magically healed them.
Clearly the beast has superhuman powers, and that's why he is worshipped as
a deity in the Amazons.
It starts raining and Elisa is getting ready to release the beast into the sea,
even if that breaks her heart. She imagines a musical scene in which she and the beast dance romantically and sings to it.
At the same time the Russians are preparing to smuggle Dimitri out of the USA:
Dimitri told them that he killed the beast, and therefore his mission is over.
Strickland's reattached fingers are rotting but he is obsessed with finding the beast. Furthermore, his superior, a general, is threatening to fire him if he doesn't find the beast.
Strickland, who has always suspected "Bob", watches Bob/ Dimitri and sees him leaving the apartment in the rain. Strickland follows him.
Dimitri is waiting for his Russian superiors. The Russians shoot Dimitri (in reality, they want him dead at the end of the mission) and almost kill him, but Strickland arrives in time to kill them and save him.
Strickland heard the wounded "Bob" speak Russian. Strickland pulls out his electric baton and starts torturing "Bob" in the rain.
Strickland is convinced that the beast was kidnapped by a team of Russians and wants the names from Dimitri.
Dimitri confesses that the kidnappers are the cleaning women.
Minutes later Strickland is at Zelda's door.
Strickland cracks his own fingers that are rotting while telling Zelda a
biblical story. The husband saves Zelda by telling Strickland that the mute
Elisa took the beast. Zelda calls Elisa and tells her to run.
When Strickland arrives at Elisa's place, Elisa and Giles are gone, and have taken
the beast with them.
Strickland finds a note about a dock and understands where they are.
Elisa and Giles have taken the beast to the dock. It is raining heavily.
Strickland arrives before they can release the beast in a canal
and shoots both Elisa and the beast.
Giles knocks out Strickland.
The beast comes back alive and kills Strickland sliting his throat.
Then he lifts Elisa's body in his arms and jumps in the water with her.
While she is sinking, he resurrects her.
Giles is left to tell the story of this unlikely love story.
His Pinocchio (2022) is set in fascist Italy.
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