New York's bassist William Parker, a fixture of
David Ware's quartet and Matthew Shipp's various ensembles,
had seldom recorded on his own starting with
Through Acceptance Of The Mystery Peace (january 1979), that
Daniel Carter (saxes, flutes and trumpet),
Charles Brackeen (tenor sax), Will Connell Jr. (alto sax and flute),
Peter Kuhn and Rozanne Levine (clarinets), Arthur Williams (trumpet),
Toshinori Kondo (alto horn), Polly Bradfield, Billy Bang and Jason Kao
Hwang (violins), Tristan Honsinger (cello), Ellen Christi (vocals) and
Denis Charles (drums). |
After collaborations with Shipp, Peter Broetzmann, Derek Bailey, and
Charles Gayle, Parker recorded
the live In Order To Survive
(june 1993), with Rob Brown
(alto sax), Denis Charles and Jackson Krall (drums), Cooper-Moore
(piano), Grachan Moncur III (trombone) and Lewis Barnes (trumpet).
Testimony (december 1994),
containing the 23-minute improvisation Sonic Animation,
and Lifting The Sanctions (november 1997) were solo albums.
The live Flowers Grow In My Room
(july 1994), credited to the Little Huey
Creative Music Orchestra, featured Billy Bang (cello
and violin), seven saxophonists, two bassists, another cellist,
three trombonists, three trumpetists, plus drums, tuba and vibraphone.
The same orchestra recorded
Sunrise In The Tone World (february 1995)
with Vinny Golia on reeds and Roy Campbell on trumpet and
Raincoat In The River Vol.1
Mass For The Healing Of The World (may 1998);
Spontaneous (may 2002);
For Percy Heath (october 2006).
His quartet with
Cooper-Moore (piano), Rob Brown (alto sax) and Susie Ibarra (drums)
began to be called In Order To Survive starting with
Compassion Seizes Bed-Stuy (december 1995), followed by
The Peach Orchard (august 1998),
that includes the 25-minute Leaf Dance,
Posium Pendasem (april 1998).
Parker collaborated with Joe Morris, Ivo Perelman, Hamid Drake,
Peter Kowald, Cecil Taylor, Anthony Braxton, and many others,
and recorded duets with Joelle Leandre on Contrabasses (january 1996)
as well as duets with Hamid Drake.
Song Cycle (sessions of october
1991 and march 1993) featured Yuko Fujiyama on piano and two vocalists.
The Cosmosamatics (february 2001) were Sonny Simmons, Michael
Marcus, William Parker and Jay Rosen.
The live Emancipation Suite #1 (may 1999) was a trio with Alan Silva
(synthesizer) and Kidd Jordan (tenor sax).
The All-Star Game (december 2000) featured
Marshall Allen (alto sax),
Alan Silva (bass), Hamid Drake (drums) and Kidd Jordan (tenor sax).
Fractured Dimensions (november 1999) featured Daniel Carter on alto sax,
trumpet, clarinet and flute, Alan Silva (synthesizer and piano) and Roy
Campbell ( trumpet and flugelhorn).
Luc's Lantern (recorded in 2004) was a trio with Eri Yamamoto (piano) and Michael Thompson (drums).
Corn Meal Dance (january 2007)
,was performed by Hamid Drake (drums), Eri Yamamoto (piano), Rob
Brown (alto sax), Lewis Barnes (trumpet), and Leena Conquest (vocals).
Double Sunrise Over Neptune (premiered in
june 2007) featured Rob Brown (alto sax), Dave Sewelson (baritone sax),
Shayna Dulberger (bass), Shiau-Shu Yu (cello), Gerald Cleaver and Hamid
Drake (drums), Joe Morris (guitar and banjo), Brahim Frigbane (oud),
Bill Cole (reeds), Sabir Mateen (tenor sax and clarinet), Lewis Barnes
(trumpet), Jessica Pavone (viola), Jason Kao Hwang and Mazz Swift
(violins), and Sangeeta Bandyopadhyay (vocals).
Farmers By Nature, i.e. the trio of drummer Gerald Cleaver, bassist William Parker and pianist Craig Taborn, recorded the live Farmers By Nature (june 2008), Out Of This World's Distortions (june 2010), containing Tait's Traced Traits, and the double-disc Love And Ghosts (june 2011), containing the lengthy Bisanz, Love and Ghosts and Comte.
Billy Bang and William Parker recorded Medicine Buddha (may 2009), that contains the 22-minute Medicine Buddha and the 14-minute Eternal Planet.
He played acoustic bass, kora and double flute on
At Somewhere There (july 2008),
notably the 48-minute Cathedral Wisdom Light.
Conversations (march 2011) collects solo performances.
Winter Sun Crying (december 2009) featured the ICI Ensemble.
The triple-disc box-set
Crumbling In The Shadows Is Fraulein Miller's Stale Cake (august 2010)
collected solo bass performances such as
Stained Glass Sky with Dancing Light (21:23),
Crumbling in the Shadows is Fraulein Miller's Stale Cake (19:18),
Night Density (13:19),
Double Mystery (17:35), as well as reissuing
Book Of Sound (october 2013)
was a trio with saxophonist Ivo Perelman and pianist Matthew Shipp.
Parker played contrabass violin, sintir and bass shakuhachi on Pomegranate
(march 2013) by Parrhesia, the trio created by cornetist Stephen Haynes
along with guitarist Joe Morris and percussionist Warren Smith.
The William Parker Bass Quartet, that also featured guest Charles Gayle, performed Requiem (Splasch, 2014), the final set of the 2004 Vision Festival.
The Sonoluminescence Trio (David Mott on baritone sax, William Parker on contrabass and Jesse Stewart on drums) debuted with Telling Stories (march 2014).
The triple-disc For Those Who Are Still contains material recorded over a dozen years, notably the 28-minute For Fannie Lou Hamer (october 2000) and the 20-minute The Giraffe Dances (january 2012) for small ensembles, the ten-part suite Ceremonies For Those Who Are Still (november 2013) for jazz trio and symphony orchestra and the 25-minute trio improvisation Escapade For Sonny (november 2013).
Song For A New Decade (recorded in january 2010 and june 2012)
documents the trio of Parker, Andrew Cyrille (drums) and Finnish
saxophonist and composer Mikko Innanen (alto and baritone saxes, Indian
clarinet, Uilleann chanter, nose flute, whistles, percussion).
Raining on the Moon, featuring Rob Brown on alto sax, Lewis Barnes on trumpet, Eri Yamamoto on piano, Hamid Drake on drums and vocals by Leena Conquest debuted with Corn Meal Dance (january 2007) and Great Spirit (january 2007), both recorded during the same sessions.
William Parker Quartet's live 75-minute piece of Ao Vivo Na Fabrica (august 2015) featured Rob Brown on alto sax, Lewis Barnes on trumpet, and Hamid Drake on drums.
The double-disc set Song Sentimentale (january 2015) collects three live improvisations by the trio of Peter Broetzmann (tenor sax, clarinet, tarogato), William Parker (double bass, guembri, shakuhachi, shenai) and Hamid Drake (drums, frame drum, voice): Shake-A-Tear (11:40), Stone Death (26:17) and Dwellers In A Dead Land (24:58).
The trio Eloping With The Sun, with
Joe Morris (guitar, banjouke, banjo, double bass, fiddle, pocket trumpet and whistles) and Hamid Drake (drum set, frame drum, cymbals, gongs),
debuted on Counteract This Turmoil Like Trees And Birds (january 2015).
Toxic, consisting of Polish reed player Mat Walerian (alto sax, bass & soprano clarinets, flute), Matthew Shipp (piano, organ) and William Parker (double bass, shakuhachi), debuted with This Is Beautiful Because We Are Beautiful People (december 2015), notably the 20-minute The Breakfast Club Day.
The double-disc Meditation/Resurrection (december 2016) documents
quartets with Hamid Drake (drums, gongs) Rob Brown (alto sax), Jalalu-Kalvert Nelson (trumpet, kalimba) and Cooper-Moore (piano).
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