Leonardo Art/Science Evening Rendezvous of 10 June 2024

Exploring the Frontiers of Knowledge and Imagination, Fostering Interdisciplinary Networking
Stanford, 10 June 2024 at 7pm
LiKaShing building - Room LK120
Chaired by Piero Scaruffi and prof. Curtis Frank
Free and open to everybody

The LASERs (Leonardo Art Science Evening Rendezvous) are an international program of evening gatherings that bring artists and scientists together for informal presentations and conversation with an audience. See the program for the whole international series and the dates for the Bay Area. Send an email to "scaruffi at stanford dot edu" if you want to be added to the mailing list for the LASERs.
Where: Stanford University, LiKaShing building - Room LK120
There should be ample parking in the structure on corner of Campus Drive West and Roth Way. (Stanford map)
Parking is mostly free at Stanford after 6pm.
Program (the order of the speakers might change):
  • Shane Denson (Stanford/ Film and Media) on "How is Human Embodiment Transformed in an Age of Algorithms?"
  • Virginia San Fratello (San Jose State Univ) on "3D Printing the Future"
  • Fiorenza Micheli (co-director of Stanford’s Center for Ocean Solutions) on "Harnessing the data revolution for ocean and human health"
  • Tom Mullaney (Stanford/ History) on "The Audacity of Chinese Computing"
  • Discussions, networking You can mingle with the speakers and the audience

Bios:
  • Shane Denson is Associate Professor of Film and Media Studies and, by Courtesy, of German Studiesand of Communication at Stanford University, where he also serves as Director of the PhD Program in Modern Thought & Literature. His research interests span a variety of media and historical periods, including phenomenological and media-philosophical approaches to film, digital media, and serialized popular forms. He is the author of Post-Cinematic Bodies (2023),Discorrelated Images (2020), and Postnaturalism: Frankenstein, Film, and the Anthropotechnical Interface (2014). See shanedenson.com for more information.
  • Tom Mullaney is Professor of Chinese History at Stanford University, a Guggenheim Fellow, and the recipient of Stanford’s highest award for excellence in teaching, the Gores Award. He is the author or lead editor of 8 books, including the forthcoming The Chinese Computer: A Global History of the Information Age, Where Research Begins: Choosing a Research Project that Matters to You (and the World) (University of Chicago Press, 2022, with Christopher Rea), The Chinese Typewriter: A History (winner of the Fairbank prize), Your Computer is on Fire, and Coming to Terms with the Nation: Ethnic Classification in Modern China. His writings have appeared in Fast Company, MIT Technology Review, Quartz, the South China Morning Post, TechCrunch, the Journal of Asian Studies, Technology & Culture, Foreign Affairs, and Foreign Policy. His work has been featured in RadioLab, The Atlantic, the BBC, and in invited lectures at Google, Microsoft, Adobe, and more. He earned his BA and MA from the Johns Hopkins University, and his PhD from Columbia University.
  • Virginia San Fratello is an educator, designer and creative technologist. She is the Chair of the Department of Design at San Jose State University in Silicon Valley and an International Interior Design Association (IIDA) Educator of the Year recipient. She is a design activist, author, and thought leader within the fields of additive manufacturing, architecture, interior and product design. She has served in the role of Distinguished Visiting Professor at the Massachusetts Institute of Technology, the University of Arkansas and The University of Queensland. In 2014 her creative practice, Rael San Fratello (with Ronald Rael), was named an Emerging Voice by The Architectural League of New York—one of the most coveted awards in North American architecture. In 2016 Rael San Fratello was also awarded the Digital Practice Award of Excellence by the The Association for Computer Aided Design in Architecture (ACADIA). In 2020 Rael San Fratello received an Art + Technology Award from the Los Angeles County Museum of Art (LACMA). In 2020 the Pink Borderwall Teeter Totters installed on the border between the USA and Mexico, designed by Rael and San Fratello, was awarded the Beasley Design of the Year Award. San Fratello is the co-author of Printing Architecture: Innovative Recipes for 3D Printing (Princeton Architectural Press 2018), a book that reexamines the building process from the bottom up and offers illuminating case studies for 3D printing with materials like chardonnay grape skins, salt and sawdust. She is also a partner in Emerging Objects, a creatively driven, 3D Printing MAKE-tank specializing in innovations in 3D printing architecture, building components, environments and products (a short documentary of their work can be seen here).
  • Fiorenza Micheli is a marine ecologist and conservation biologist conducting research and teaching at the Hopkins Marine Station of Stanford University, where she is also the David and Lucile Packard Professor of Marine Science and the Director, with Jim Leape, of the Stanford Center for Ocean Solutions. Micheli’s research focuses on the processes shaping marine communities and incorporating this understanding in the management and conservation of marine ecosystems. Her current research projects investigate social and ecological drivers of the resilience of small-scale fisheries to climatic impacts in Baja California, Mexico, the ecological and socioeconomic impacts of coastal hypoxia and ocean acidification in the California Current large marine ecosystem, the ecological role and spatial ecology of parrotfish and reef sharks in the coral reefs of the Pacific Line Islands, the effects of ocean acidification on seagrass, rocky reef and kelp forest communities, and the performance and management of marine protected Areas in the Mediterranean Sea. She is a Pew Fellow in Marine Conservation, a fellow of the California Academy of Sciences, and senior fellow at Stanford’s Woods Institute for the Environment.
  • Piero Scaruffi is a cultural historian who has lectured in three continents and published several books on Artificial Intelligence and Cognitive Science, the latest one being "The Nature of Consciousness" (2006). He pioneered Internet applications in the early 1980s and the use of the World-Wide Web for cultural purposes in the mid 1990s. His poetry has been awarded several national prizes in Italy and the USA. His latest book of poems and meditations is "Synthesis" (2009). As a music historian, he has published ten books, the latest ones being "A History of Rock and Dance Music" (2009) and "A History of Jazz Music" (2007). His latest book of history is "A History of Silicon Valley" (2011). The first volume of his free ebook "A Visual History of the Visual Arts" appeared in 2012. His latest book is "Intelligence is not Artificial" (2013). He has also written extensively about cinema and literature. He founded the Leonardo Art Science Evening Rendezvous (LASER) in 2008. Since 2015 he has been commuting between California and China, where several of his books have been translated.

Photos and videos of this evening

 

The Stanford LASERs are sponsored by the Stanford Deans of: Engineering; Humanities & Sciences; and Medicine; by Chemical Engineering and by Continuing Studies.