We have the speakers for a conference (the people we interviewed, plus the PIL members, and probably many others in tech/science). Piero can find the venue and help with the honoraria (from my art/science budget). The problem is the manpower to run it. Jinxia has organized large conferences in China (iwth thousands of attendees) but she is going back on Sep 9. If she can be in California next year at some point (e.g. May), then she can take care of it. We can tape the conference and then "market/export" it to other universities worldwide. This conference could be combined with a LAST festival where artists exhibit the outcome of their peace-related artworks. Continuing Studies is interested in collaborating. We don't need money from them but logistical support for the actual staging of the conference. We need to find a date that works for both us and Continuing Studies.
Where
Time: Panels and TalksWhere
Time: Panels and TalksWhere
Time: Panels and TalksWhere
Time: Panels and TalksWhere
Time: Art ExhibitionWhere
Time Performances
ART CURATOR Name of art curator
Bio of art curator
Jennifer Parker is an Associate Professor of Art and Digital Arts and New Media at the University of California Santa Cruz. Her research is rooted in sculpture, interactive and kinetic art, and cross-disciplinary and collaborative research. Current and past projects explore new methodologies for art making that engage art and science thinking. She is co-founder and director of The OpenLab Network at UCSC and has been working with Barney Hyanes since 2008 developing the SonicSENSE interactive art platform. She has exhibited widely both nationally and internationally. Local venues include Yerba Buena Center for the Arts, SF Camerawork; The Lab; Gray Area Foundation for the Arts; Kala Art Institute; and ZER01:10SJ Biennial.
Collaboration between PIL and OpenLab students
Alex Reben is best known for his robots and machine art, including the film-making "BlabDroids". The BlabDroids are making the world's first documentary entirely shot and directed by robots. They have traveled the world asking difficult and meaningful questions in order to learn what makes us human. Alexander holds a graduate degree from the MIT Media Lab where he researched human-machine symbiosis and design. He has built robots for NASA, worked on particle accelerators and consults with executives to help make products more "lovable". He has held fellowships at MIT in the Center for Future Storytelling and CMS DocLab. He is currently a visiting scholar in the UC Berkeley psychology department and a director at Stochastic Labs, an art, science and technology incubator. Alexander has exhibited internationally including Ars Electronica, Volta, The Whitney Biennial, Axiom, TFI Interactive, IDFA, ArtBots, The Tribeca Film Festival, The Camden Film Festival, Doc/Fest, and The Boston Cyberarts Gallery. His work has been covered by NPR, The Wall Street Journal, The New York Times, Washington Post, Fast Company, Filmmaker Magazine, New Scientist, BBC, PBS, Discovery Channel, and Wired among others.
One thing that might be of interest is this idea my fried Aza Raskin and I have been toying around with called "Sci-corp" based off B corps. He presented the idea at a TEDx https://www.youtube.com/watch?v=dkQkafxFoIQ
Fabiola Hanna, an artist from Lebanon who is currently at UC Santa Cruz, is a thinker, artist, documentarian and interactive-media programmer. She explores ideas that might strengthen communities through art and technology. Her current work is about post-colonial activism in relation to ideological constructs of history, nation, community and political struggle.
She's interested
Melissa Day is an interdisciplinary artist and educator, currently at San Jose State University. Her recent work explores the role of singing in civic engagement, deepening dialogue among potentially insular groups. Day is currently building a "Wall of Song" with artist Michael Namkung, a massed singing of Leonard Cohen's Hallelujah.
She's interested
Greg Niemeyer (UC Berkeley/ Center for New Media), born in Switzerland, started working with new media when he arrived in the Bay Area in 1992 and he received his MFA from Stanford University in New Media in 1997. At the same time, he founded the Stanford University Digital Art Center, which he directed until 2001, when he was appointed at UC Berkeley as Assistant Professor for New Media. At UC Berkeley, he is involved in the development of the Center for New Media, focusing on the critical analysis of the impact of new media on human experiences. His creative work focuses on the mediation between humans as individuals and humans as a collective through technological means, and emphasizes playful responses to technology. His most recognized projects are Gravity (Cooper Union, NYC, 1997), PING (SFMOMA, 2001), Oxygen Flute (SJMA, 2002), ar (Pacific Film Archive, 2003), Ping 2.0 (Paris, La Villette Numerique, 2004), Organum Playtest (2005), Good Morning Flowers (SFIFF 2006, Townhouse Gallery, Cairo, Egypt, 2006), blackloud.org, sevenairs.org, and polartide.org
He's interested
Purin Phanichphant's works are often playful, interactive, and simple, combining his fun-loving Thai roots, an obsession with knobs, buttons, and screens, and his training as an interaction designer. He was Principal Product & Interaction Designer at IDEO. His most recent works include a land-glider dubbed the Death Wheel 3000dx, an interface for human-computer sex, a wall covered with all the tap lights in the Bay Area, and a machine that churns out Thai food. Purin was born and raised in Northern Thailand, where he spent part of his life as a Buddhist monk.
He's interested
Climate change data turned into art
Bio
They use climate change data to create art
Mitch Altman is a hacker and inventor. While at the University of Illinois, Altman co-organized the first Hash Wednesday in Champaign-Urbana in 1977. Altman moved to the San Francisco Bay Area in 1986 to work in Silicon Valley. Altman was an early developer of Virtual Reality technologies, working at VPL Research with Jaron Lanier. Altman left VPL Research in protest when it accepted contracts with the United States Department of Defense. Altman co-founded Silicon Valley start-up 3ware in February 1997 with Peter Herz and Jim MacDonald. Altman started Cornfield Electronics as a consulting company. In 2004 Altman released a one-button universal remote control called TV-B-Gone, to be used for turning off TVs in public places. Following extensive involvement in the "Maker" movement and Make magazine, Altman publicly parted ways with the Maker Faire in 2012 after the Maker Faire accepted contracts with the United States Department of Defense. Mitch Altman is an important figure in the international "hackerspace" and "maker" movements. While attending the 2007 Berlin Chaos Communication Camp, Altman and Jacob Appelbaum began discussing the idea of a San Francisco hackerspace, at which time there were no hackerspaces in the United States. In October 2008 he co-founded Noisebridge, one of the earliest hackerspaces in the USA.
Kal Spelletich is the founder of Seemen, an interactive machine art performance collective, has collaborated with Survival Research Labs and countless others from rock bands to scientists, politicians, NASA, Hollywood television and filmmakers. For 28 years he has been experimenting with interfacing humans and technology to put people in touch with intense real life experiences and to empower them. Kal's work is always interactive, requiring a participant to enter or operate the piece, often against their instincts of self-preservation. He works on the waterfront of San Francisco scouring junkyards and dumpsters for industrial items whose technology can be reapplied. He curates art exhibits and is involved in political activism.
I'll invite them: they have a piece of two robots controlled by the brainwaves of the audience and the goal is to make them kiss
lorem ipsum dolor sit amet
lorem ipsum dolor sit amet
lorem ipsum dolor sit amet
lorem ipsum dolor sit amet
CURATOR
Piero Scaruffi
(some imagined examples below)
The Stanford Peace Innovation Lab is an interdisciplinary and international project to increase positive peace via real-world interventions, to educate the general public on technologies for peace, and to innovate social structures.
For the first time in history, big data allow us to measure "peace" at all sorts of scales, from individual peace to group cooperation and to political peace; to apply technologies that increase peace; and to measure in real time if the interventions are working.
We research which technologies have the power to change the behavior of both individuals and groups towards more cooperative behavior, and in which way they can have a positive impact on our world, starting with the cities in which we live.
Even if the ultimate goal of our "moonshot" project cannot be achieved in our lifetimes, we believe that using and mixing novel technologies in novel ways can help us understand the power of these technologies better and may help create the "killer application" of the future, the social tool of the future, just like bending and mixing personal computing, Internet, phone, GUI, speech recognition, etc yielded the #1 social tool of our time, the smartphone.
Piero's and Jinxia's task is to reach out to thought leaders at Stanford and elsewhere on their insights on the future of technology for peace building, on how technology can mediate new forms of collaboration, and on the ethics and social impact of technology.
(maybe we could start looking for helpers?)
Join the team and help make this happen! We have plenty of work for volunteers and interns. Calling all college level students in the Bay Area! You can help with the research, the educational programs, designing this website, curating the artists in residence program, publicizing our events, etc.