Ralf Wehowsky has released the solo works Acht (1992), the manifesto of his electronic and computer music, 14 (1992), that collects unreleased material of the last decade, Revu et Corrige` (Trente Oiseaux, 1995), When Freezing Air Stings Like Ice I Shall Breathe Again (Streamline, 1995), and the mini-album Nameless Victims (Metamkine, 1996). They explore the technique of having musicians exchange sound material and re-composing it. By pushing the concept to the extreme, the monumental (five CDs) Tulpas (Selektion, 1997) is virtually an essay on his work compiled by other musicians. Pullover (Table of the Elements, 1998), which uses voice as its source material, L'Oeil Retourne/Vier Vorspiele (Selektion, 1998), with Walter Marchetti, Yang-Tul (Anomalous, 1999), with Andrew Chalk, Cases (Selektion, 2001), with Kevin Drumm, simply refined the technique taking advantage of computers.

In the new century Ralf "RLW" Wehowsky refined a strategy of blending musique concrete, computer music and improvised music via Views (Anomalous, 2004), probably his most conceptual and accomplished work, and also his first true "solo" album, Points Of Reference (Perdition Plastics), I.K.K. Purpur (Sirr), Pullover (Table of the Elements), etc. RM74/RLW's Pirouetten (2006) was a collaboration between Ralf "RLW" Wehowsky (gamelan, sitar, paper, guitar, trombone, chimes, field recordings) and Reto "RM74" Mader (organ, accordeon, piano, cello, bass, harmonica).