The "new romantics" of London's club scene
concocted a calculated mixture of disco-music,
swinging London, dolce vita, retro-futurism, sexual decadence and punk
irreverence (a cocktail very reminiscent of Roxy Music and Ultravox),
best epitomized by Spandau Ballet, a band that mixed guitar, synthesizer,
saxophone and rhythm section, and their Journeys To Glory (1981).
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