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Crystal Method are two keyboardists (Ken Jordan and Scott Kirkland) who in 1992
moved from Las Vegas to Los Angeles and started writing electronic pop for
soundtracks and commercials.
There is no substance on Vegas (Outpost, 1997), but a lot of fun.
Now Is The Time, Keep Hope Alive and Busy Child are the
old hits that gave them a cult status in the dance underground.
Comin' Back is the new single, that continues along that path.
After a four-year hiatus, the duo (augmented with Tom Morello of Rage
Against The Machine and a turntablist) returns with
Tweekend (Interscope, 2001),
an album heavily influence
by the fad of rap-funk-metal (Name Of The Game). Except for
the single High Roller, the guests and the production and the publicity
effort are wasted.
Legion of Boom (V2, 2004) is one of the least exciting techno parties
you'll ever attend, unless you are a rapidly ageing raver in which case the
boring midtempo numbers (Starting Over,
Broken Glass, Weapons of Mass Distortion)
may go well with your
arthritis.
These lifeless agonies are in vain redeemed by faceless rave-ups such as
I Know it's You and Acetone.
The group shows its big-beat credentials only in
Born Too Slow (featuring Limp Bizkit guitarist Wes Borland and Kyuss' vocalist John Garcia).
Divided By Night (Ingrooves, 2009) is a tedious parade of uninspired
takes on different styles. Drown in the Now is the single.
New Order's bassist Peter Hook and
Broken Social Scene's Emily Haines waste their
time on this album.
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