(Clicka qua per la versione Italiana)
Los Angeles rap possibly reached its artistic peak of the 1990s with
Cypress Hill's hyper-depressed trilogy of
Cypress Hill (1992), with
How I Could Just Kill a Man and The Phuncky Feel One,
Black Sunday (1993), with the hit Insane in the Brain,
and Temples of Boom (1995).
The group, led by
producer Lawrence "Muggs" Muggerud and rappers Louis "B Real" Freeze
and Senen "Sen Dog" Reyes,
was the first major rap act to absorb Latino influences in their lyrics,
but, most importantly, they developed a psychedelic sound that lent a sense
of tragedy and powerlessness to the depiction of ghetto decadence.
A carefully crafted soundscape of guitar, bass and drum samples, coupled with
slow, loud, fat beats, pens an ominous, suspense-filled aural journey.
Most of the credit goes to Muggs.
After
DJ Muggs crafted the gloomy and transfixed atmosphere of Presents the Soul Assassins (1997), a "solo" album benefiting from an all-star cast of guest rappers (Dr Dre, KRS-One, Wyclef, RZA, Genius),
Cypress Hill returned with IV (1998), which first introduced the band
to the heavy-metal crowds, and the double-disc Skull & Bones (2000),
equally divided between hip-hop and rock (the hit Superstar was recorded
in two versions).
Stoned Raiders (2001) was even more explicitly indebted to rock music,
while Till Death Do Us Part (2004) downplayed the rock overtones and
harked back to Jamaican music but with too much neosoul balladry.
Los Grandes Exitos En Espanol (1999) is a Spanish-version anthology of
their hits.
DJ Muggs continued his solo career with the mediocre
Soul Assassins Chapter 2 (2000) and with Dust (2003), that
also featured
Greg Dulli of the Afghan Wigs on vocals.
DJ Muggs spent a few years creating albums with other hip-hop artists:
Grandmasters (2005) was a collaboration with GZA of Wu-Tang Clan,
Legend of the Mask and the Assassin (2007) was a collaboration with
Sick Jacken of Los Angeles rap group Psycho Realm,
Pain Language (2008) was a collaboration with Fresno's rapper Jason "Planet Asia" Green (half of duo Cali Agents),
and
Kill Devil Hills (2010) was a collaboration with New York rapper
William "Ill Bill" Braunstein.
Meanwhile, DJ Muggs had released the third Soul Assassins album,
Intermission (2009), one of the worst of his career.
trip-hop songstress Brevi, fellow producer Andrew Kline (from the hardcore punk band Strife) and Sean Bonner
CMHHTD released their debut four-track self-titled extended play on April 2, 2013,[18] and it was promoted by three music videos "Wild Side", "Miracles" and "Roller Coasting". On July 29, 2014, the band released their second extended play, Vita E Morte,[19] it was supported by two music videos "Two Shots" and "Tears Of God". Both EPs were released via Alpha Pup Records and also were released later as Cross My Heart Hope To Die eight-track album.
Cypress Hill had the terrible idea of reforming for the embarrassing
Rise Up (2010). It took eight more years and then they released
Elephants on Acid (2018), which actually had some intriguing ideas
(described in the title of the album) but suffered from
sloppy production and a poor choice of vocal samples.
And their lyrics, 27 years later, started sounding comical rather than
intimidating: they were aging without realizing that the world around them
had changed.
The series of DJ Muggs collaborations resumed.
There were three with emerging New York rappers:
Gems from the Equinox (2017) with Meyhem Lauren;
Kaos (2018) with Roc Marciano;
Hell's Roof (2019) with Lil Eto.
Plus
Medallo (2019) with Hispanic rapper Crimeapple of New Jersey.
The Soul Assassins collective returned with
Dia del Asesinato (2018), typical of DJ Muggs' dark "boom bap" sound
of the 2010s
(Contagion Theory with Buffalo rapper Mach-Hommy),
but, again, dragged down by sloppy composition, especially when
veteran rappers show up
(notably Kool G Rap in Day of the Dead and MF Doom in Death Wish) .
Tuez-Les Tous (2019) and
Kill Em All (2019) were collaborations between DJ Muggs and Mach-Hommy.
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