Sukia, aka Ross Harris and friends, played futuristic lounge music for keyboards, horns, drum machines and (last but not least) samplers. Contacto Espacial Con El Tercer Sexo (Nickelbag, 1996) favors old-fashioned, lo-fi equipment to recreate a feeling of nostalgia while The Dream Machine and We Have The Technology cruise along in a sort of slow-motion dejavu. Songs are reconstructed from original sounds of the past decades and from artificial sounds that sound even more vintage.