Nick Cope's
Candyskins were the quintessential bad Brit-pop joke.
Submarine Song and She Blew Me Away, the highlights of
Space I'm In (DGC, 1991),
Get Together and Freedom Bus,
were nothing more than diligent carbon copies of Paul McCartney's melodic
style.
Fun (DGC, 1993) featured
Wembley, a moderate hit that boosted their career, but in general
it was a dull album of mediocre pop tunes.
It took a long time to recover.
Mrs Hoover and Get On prepared the stage for
Monday Morning, one of their catchiest songs, and for the album
Sunday Morning Fever (Ultimate, 1997), that also contains
Circles.
Death Of A Minor TV Celebrity (DGC, 1998)
is a lame imitation of the lamest Brit-pop band,
Oasis.
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