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Gli In Slaughter Natives (alias J. Havukainen) esordirono con un album
omonimo (Soleilmoon, 1991)
all'insegna di una
sorta di musica religiosa d'avanguardia, ma sono presto passati a un misto
piu` alla moda di heavymetal industriale, rock sinfonico e gotico ambientale
sul secondo
Enter The New World (Cold Meat Industry, 1992).
Brani come To Mega Therion risuonano di cori d'opera, marce di timpani e
ottoni "wagneriani".
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If English is your first language and you could translate my old Italian text, please contact me.
Scroll down for recent reviews in English.
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Sacrosancts Bleed (Cold Meat Industry, 1992)
accentua l'uso dei campionamenti di chitarra
heavymetal (Chaos Breeding).
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Sacrosancts Bleed (Cold Meat Industry, 1992) is a feast of excesses.
Both the samples of heavy-metal guitar and the stormy beat-boxes are emphasized.
The vocals are an agonizing grunt that delivers the blaspheme prayers of
Chaos Breeding and Inferno.
Havukainen's tour de force runs the gamut from
supercharged cerimonies (Fifth Skin) to
metallic/industrial concertos (Taste Of Human), from
abstract noise pieces (Scum) to sheer horror
(Arcanum).
Invocation reprises Laibach's
satanic/military sound.
The album peaks with Sacrosancts Bleed, a concentrate of Gregorian
litanies, Wagnerian choirs, baroque harpsichord, martial drumming and
children's wails.
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Il quarto (e forse ultimo) Purgate My Stain (Staalplat, 1995)
perfeziona quel gotico al rallentatore per droni trascendenti, cori
d'oltretomba, elettronica sinfonica e visioni di monasteri satanici.
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The fourth (and perhaps last) album Purgate My Stain (Staalplat, 1995)
refined their kind of gothic music for slow tempos, transcendent drones,
ghostly choirs, symphonic electronics and visions of satanic monasteries.
Recollection (Cold Meat Industry, 2001) is a career anthology.
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