Chris Corsano

(Copyright © 2006 Piero Scaruffi | Terms of use )

The Radiant Mirror (2007) , 6.5/10
The Four Aims (2009) , 6.5/10
Rangda: False Flag (2010), 6/10
Rangda: Formerly Extinct (2012), 5/10

Coming out of Western Massachusetts, Six Organs Of Admittance's drummer Chris Corsano (who also plays in Greg Kelley's Cold Bleak Heat) recorded the solo albums Blood Pressure (2006) for keyboards and vocals (no drums), and The Young Cricketer (february 2006 - Family Vineyeard, 2008) for percussion, found objects and saxophones, an adventurous (or at least chaotic) improvised work, although fragmented in short pieces to the point that it sounds like rehearsals rather than fleshed out music. It includes the abstract drum solos Why Are Some Cricket Coaches Better Than Others? and What Do We Get From Cricket That We Don't Get From Other Games?, the frantic drum solos What Movement Helps You When You Are Trying To Run Out A Batsmen? and How SHould You Pick Up The Ball And Throw It?, as well as the eight-minute How May Your Parents And Your Employer Help You In Your Cricket Career?, a cryptic piece driven by cymbals and bells. The droning saxophone passages, instead, sound amateurish.

Corsano also recorded several avant-jazz duos with saxophonist Paul Flaherty: The Hated Music (Ecstatic Yod, 2001), Last Eyes (Records 7, 2005), Steel Sleet (Tyyfus 2, 2005), The Beloved Music (Family Vineyard, 2006), Full Bottle (Ultra Eczema, 2006), A Rock in the Snow (Important, 2006), Slow Blind Avalanche (Important, 2006).

The Radiant Mirror (2007) and The Four Aims (VHF, 2009) were collaborations with Vibracathedral's droning banjoist Michael Flower, two demented and propulsive digital collages. The Radiant Mirror contains three Indian-inspired jams for percussion and shahi baaja (an Indian banjo), of which the ten-minute spiritually-inclined Earth sounds like the Velvet Underground performing an Indian raga, and the festively torrential 19-minute Fire sounds like an epileptic John Fahey jamming with a jazz drummer. The Four Aims contains the ten-minute I Brute Force?, that sounds like a brutal jazz-rock workout, the eight-minute The Three Degrees Of Temptation, a subliminal soundscape for soft percussive sounds and psychedelic effects, the prayer-like The Drifter's Miracles of droning with no drums and Corsano on cello, and the 18-minute The Main Ingredient, perhaps the most intricate and virulent raga-like piece of the duo with a coda of ethereal philosophizing.

Another Dull Dawn (Ultra Eczema, 2009) was another solo album.

Meanwhile, the trio of Sir Richard Bishop, Six Organs of Admittance's Ben Chasny and Chris Corsano formed Rangda (two guitars and drums) to record False Flag (Drag City, 2010).

Paul Dunmall and Chris Corsano improvised live the music of Identical Sunsets (april 2008). Joe McPhee (tenor & soprano saxes, pocket trumpet) and Chris Corsano (drums) collaborated on Under A Double Moon (march 2010) and Scraps And Shadows (may 2011).

The Chocolate Cities (2009), with self-indulging improvisations like 85% Pure and Cocoa Mouth Paralysis, and You'll Never Work In This Town Again (2010), containing three untitled duets, were the new visceral collaborations Michael Flower.

Chris Corsano's solo Cut (Hot Cars Warp, 2012) collects brief pieces for drums, metal objects, modified reed instruments and bowed strings.

Rangda was a two-guitar supergroup formed by Richard Bishop of the Sun City Girls, Ben Chasny of Six Organs of Admittance and Chris Corsano that debuted on the instrumental False Flag (Drag City, 2010). Its centerpiece, the 15-minute Plain Of Jars, begins like a pensive cosmic invocation (over syncopated tribal drumming), boasts occasional bursts of noise, always retreats in gentle strumming order, and finally erupts in uncontrollable mystical fervor. Formerly Extinct (Drag City, 2012) was even less robust. The 12-minute Silver Nile is simply too sleepy and sloppy to truly captivate. The very loose, meandering flow of notes certainly evokes the most tripped-out psychedelic states of mind, but has little to offer in terms of development (except for a terrible finale).

The Raw And The Cooked (2013) was an improvisation between Chris Corsano and Harry Pussy's guitarist Bill Orcutt.

Nate Wooley (trumpet, amplifier), Hugo Antunes (double bass, amplifier) and Chris Corsano (drums, amplifier) recorded the jams of MALUS (may 2012).

Low Cost Space Flights (june 2013) documents improvised duets between saxophonist Paul Flaherty and Corsano.

Icepick was a trio formed by Nate Wooley (trumpet), Ingebrigt Haker-Flaten (bass) and Chris Corsano (drums) that debuted with the two lengthy live improvisations of Heptane (17 minutes) and Pentane (26 minutes) collected on Hexane (november 2013).

Corsano also played on From Wolves To Whales (Aerophonic, 2014) with trumpeter Nate Wooley, saxophonist Dave Rempis, and bassist Pascal Niggenkemper. The live The Hurrah (august 2014) documents a jam by the trio of Evan Parker (tenor sax), John Edwards (double bass), and Chris Corsano (drums).

Chris Corsano (drums, percussion) and Massimo Pupillo (electric bass) recorded the lengthy improvisations of Via Combusta (april 2015).

Chris Corsano (drums), Paul Flaherty (tenor sax) and Bill Nace (electric guitar) recorded the three lengthy improvisations of These (december 2015).

Bill Orcutt and Chris Corsano collaborated on Brace Up (2018).

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(Copyright © 2006 Piero Scaruffi | Terms of use )
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