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New Zealand's soundsculptress Gydja (Abby Helasdottir) specialized in
dark ambient electronic suites such as the
the shamanic concept Liber Babalon (2001), the
79-minute piece of Cold Seed (2001)
and the seven-movement symphony Rivers (2002), that resorted to a form of
digital musique concrete.
She later produced the produced subliminal droning music of
Umbilicus Maris (Mystery Sea, 2007),
the two lengthy esoteric meditations of Helchemy (2008) and the industrial/cosmic
Mecanique Celeste, off Machina Mundi (2008).
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