Hum Of The Druid, the project of Seattle's digital composer Eric Stonefelt,
debuted with the
mini-albums Amphibia (2004), Wall Of Arms (2004) and Frozen Tropics (2005), that were still relatively melodic dark ambient music.
The fragmented Mountainous (2005) and the more refined
Trials (2005) signaled a turn towards expressionist
noise, that peaked with the obsessive reverb-drenched suites of Societal (2005).
The multi-faceted abrasive drones of Raising The New Wing/Braided Industry (2008) climbed another plateau of violence, and sounded like
the stream of consciousness of the industrial society.
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