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Christian Kleine and Thaddi Herrmann (editor of German magazine Debug)
offered an uneventful fusion of techno and pop on the
EPs Transalpin (City Centre Offices, 1999) and
Kickboard Girl (Morr, 2000), that was refined on the album
Our Noise (Morr, 2002).
Hardly challenging or innovative, the idea sounded like a poor man's version
of synth-pop.
Kleine debuted solo with Beyond Repair (City Centre Offices, 2001), for
dialectics of guitar and hip-hop beats, and
the six-song EP Valis (Morr, 2002), a much more somber work.
Real Ghosts (Indigo, 2004) crowns Kleine's research program with
delicate digital soundscapes gently ruffled by live instrumentation
(Home, Stations).
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