Norwegian producer Hans-Peter Lindstrom
cosmic disco-music starting with the sleek hypnosis of I Feel Space (2005) and peaking with
Where You Go I Go Too (Smalltown Supersound, 2008).
Lindstrom's art is best represented by the
suspenseful manner in which he gathers electronic sounds to launch in
the 29-minute psychonaut trip Where You Go To I Go Too.
first a disjointed set of events, then a bouncing ping-pong beat, then
a braid of micro-melodies, then a funky syncopated alter-beat, a psychedelic
undulating guitar, a gentle xylophone, a tidal wave of noise, and, after a
short pause, a reinvigorated disco beat for a swirling electronic theme,
with a finale that is almost orchestral.
Grand Ideas is a more jovial, childish workout of rhythmic counterpoint.
The Long Way Home boasts the most prominent melody of the album, that
sounds like it was taken from a Sixties soundtrack, although it is sandwiched
between rhythmic excesses.
It's a Feedelity Affair (2006) collected the early singles.
Reinterpretations (Eskimo, 2007) and
II (Eskimo, 2009)
were collaborations with producer Prins Thomas.
Real Life Is No Cool (2009) was a disco-pop collaboration with vocalist
Six Cups Of Rebel (Smalltown Supersound, 2012) was a massive
disappointment in search of a justification for his retro cosmic disco-music.
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