San Francisco's Sutekh Hexen, founded by
Kevin Gan Yuen,
debuted with Luciform (2011), containing the brief frenzied agony of
The Great Whore,
but found their true voice with the fusion of black metal and
power-electronic noise of
Larvae (Analog Worship, 2012), for example the
15-minute La Det Bli Lys (ambient glitch overture, a duet for acoustic guitar and spoken-word, and four final minutes of black-metal madness)
or the ten-minute Isvar Savasana,
an apocalyptic crescendo that leads from
a gentle blend of field recordings and gloomy drones to a wall of noise with desperate screams.
The 30-minute piece of the mini-album Behind The Throne (Magic Bullet, 2012) recast their brutality into symphonic grandeur, the sound of a
demon being burned at the stakes.
The second part opens with the metallurgic noise and the muffled rumble of
an industrial hell, swept bt a miasmatic wind from which an explosive riff
suddenly rises, which is in turn dwarfed by an approaching whirlwind of reverbs,
a massive galactic object that wipes everything out with its
Empyraisch (Vendetta, 2012) is a compilation of rare early recordings.
In 2015 the band consisted of Andy Way (vocals), Kevin Gan Yuen (guitar), Josh Churchill (guitar).
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