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(Clicka qua per la versione Italiana)
French duo Whourkr concocted a terrifying rapid-fire hybrid of grindcore and
breakcore on the mini-album Naat (2007) and on
Concrete (Crucial Blast, 2009).
Unfortunately, 4247 Snare Drums (2012) was just noise for the sake of noise.
Igorrr (half of Whourkr, real name Gautier Serre) had already released the
mini-album Poisson Soluble (2006), on which he had experimented unusual
stylistic hybrids (Dixit Dominus). Igorrr spent the next ten years
refining that idea.
Moisissure (2008) was a whirlwind of musical styles, especially in
Valse en Decomposition and Brutal Swing.
Nostril (2010) was perhaps too messy and too clownish, but
Hallelujah (2012) was the culmination of his hyper-fusion of
breakcore, grindcore, classical music and Renaissance folk,
with reinventions of melodies stolen from
Beethoven (Tout Petit Moineau) and Chopin
(Corpus Tristis).
After a five-year hiatus,
Savage Sinusoid (2017), a collection of shorter songs,
offered a more conventional version of his madcap metal, nonetheless
arranged with a merry-go-round of
accordion, sax, piano, harpsichord and shouted by operatic vocals.
Spirituality and Distortion (2020) was
more focused and polished (Cheval) with more exotic elements (Camel Dancefloor).
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