Paolo Villaggio


Fantozzi (1975), 7.1/10
Il Secondo Tragico Fantozzi (1976), 7.2/10
Fantozzi Contro Tutti (1980), 6.5/10
Fantozzi Subisce Ancora (1983), 5/10
Superfantozzi (1986), 6.5/10
Fantozzi va in Pensione (1988), 5/10
Fantozzi alla Riscossa (1990), 5.5/10
Fantozzi in Paradiso (1993), 5.5/10
Il Ritorno (1996), 4/10
Fracchia la Belva Umana (1981), 7/10
Fracchia contro Dracula (1985), 4/10
Ho vinto la lotteria di Capodanno (1989), 6.5/10
La Clonazione (1999), 4/10
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Paolo Villaggio (Italy, 1932) debuted as a television comedian (notably with the brutal character Professor Kranz) and acted in Mario Monicelli's Brancaleone alle Crociate (1970). The book "Fantozzi" (1971) collected short stories about the misfortunes of a humble working man haunted by an extremely cruel destiny but also victim of his own willingness to be exploited. The book became a bestseller (and a sort of lumperproletariat epic in the Soviet Union) and was turned into successful films: Fantozzi (1975) and Il Secondo Tragico Fantozzi (1976), both directed by Luciano Salce, and co-scripted with Leonardo Benvenuti and Piero De Bernardi. The former features the scene of Fantozzi's epic daily struggle to get to work on time, the scene of the company's soccer match, the tennis match, the billiard match with the company's owner, and his vain courtship of a spinster colleague culminating in a fateful dinner at a Japanese restaurant. The latter boasts some of his best farcical skits: the launching of the ship, the casino trip with the powerful aristocrat, the men-only night with the prostitutes, the hunting party and, above all, the whole company forced to watch "Battleship Potemkin" while Italy is playing the most important soccer game. Last but not least, the film ends with a ridiculous suicide attempt.

As the Fantozzi character became a national anti-hero, Villaggio self-directed Fantozzi Contro Tutti (1980), scripted with Benvenuti, Bernardi and Neri Parenti, the film with the lengthy scene about the cycling adventure mandated by the new company owner, besides his wife's humiliating love affair, the skiing trip and the weight-loss clinic.

Neri Parenti directed all the subsequent "Fantozzi" films until 1999: Fantozzi Subisce Ancora (1983), in which his daughter gets pregnant of a serial seducer; Superfantozzi (1986), a series of revisions of historical events (God's Creation, Jesus' miracles, the run from Marathon, Italy's annexation of Rome in 1870) plus the skit about the soccer hooligans; Fantozzi va in Pensione (1988), in which the poor accountant tries in vain to adapt to retirement life and eventually, after a pathetic vacation in Venice, pays the company to hire him back; Fantozzi alla Riscossa (1990), in which Fantozzi is selected for jury duty in a mafia trial; Fantozzi in Paradiso (1993), perhaps the most melancholy of the series, in which even his wife pities him after he is told that he only has a week to live and his own daughter kicks him out of his own house, and his wife pities him so much that she pays Fantozzi's not-so-secret romantic love to sleep with him; Il Ritorno (1996), in which Fantozzi is released from prison just in time to watch the world-cup final but dies in front on the tv-set; all of them scripted by the same quartet. Each one is a simply a series of farcical skits about the poor abused employee and his desperately pointless life.

The Fantozzi "mask" continued the Italian tradition of the medieval "commedia dell'arte" while borrowing the catastrophic humor of silent-cinema slapsticks and adapting both to the tragicomedy of ordinary people crushed by the vast bureaucratic society.

Fracchia la Belva Umana (1981), always directed by Neri Parenti and scripted with Benvenuti and De Bernardi, was a film about another television character invented by Villaggio: the pathetic failed employee has a double who is a brutal killer, the exact opposite.

Ho vinto la lotteria di Capodanno/ I Won the New Year's Lottery (1989), another hilarious Fantozzi-style comedy, directed by Parenti and scripted by the usual team.

La Clonazione (1999) was the first Fantozzi film that employed different writers and a different director (Domenico Saverni).

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