Dick Dale
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Summary.
Dick Dale invented surf music, and that would be enough to guarantee his place in the history of music, but he also coined an influential guitar style, a style that wed the frantic pace of folk-rock, the sound effects of psychedelia and the fury of punk-rock years before any of these had been invented.
Full bio.
(Clicka qua per la versione Italiana)

(Translated from my original Italian text by Ornella C. Grannis)

In 1960, the first musician to put to music the excitement of surfing, Californians' favorite sport, was a guitar player from Los Angeles, Dick Dale. Richard Monsour, born in Lebanon, raised in Boston, owned of a record store in Huntington Beach. His instrumental Let's Go Trippin was the great novelty hit of the summer of 1961. Dale's Del-tones served as the liaison between instrumental rock, surf music and garage rock (Surf Beat, Surfin' Drums, Shake'n'Stomp). Surfer's Choice (Deltone, 1962) is his historical debut album. The songs were phenomenal, full of a nearly punk fury, driven by nearly psychedelic reverberation and emphasized by the red-hot sax solos of Steve Douglas.

Leo Fender, owner of a guitar store in the neighboring Fullerton, entrusted Dale with his invention, the Fender Stratocaster. Dale's ideas and the sound of the new instrument, with a reverb unit purposely built for it, gave birth to the classic style of surf music. Dale became a virtuoso of the Stratocaster: he played it with the frenetic picking of the mandolin, he played it upside down, he played it with all sorts of sound effects. He was the inspiration behind Jimi Hendrix's histrionics. Hendrix was one of Dale's fans, also a lefty and also passionate about amplification. With the passage of time Dale became the king of instrumental music, as confirmed by his second album King Of The Surf Guitar (Capitol, 1963). Link Wray and Duane Eddy were among his many disciples. Mr Eliminator (Capitol, 1964) and Summer Surf (Capitol, 1964) were the last albums.

In 1965 Dale dropped from the scene, disgusted with the music industry and sick with cancer, but reformed the Del-tones in 1970. King Of The Surf Guitar (Rhino, 1989) is an anthology of the golden age.

When the Middle Eastern sounding Miserlou, his 1962 hit, was used as the soundtrack for Quentin Tarantino's film "Pulp Fiction", Dale was rediscovered and began to record again. Tribal Thunder (Hightone, 1993) contains a spectacular number, Nitro. A punk spirit propels the ferocious performances in Unknown Territory (Hightone, 1995), from Ghostriders In The Sky to California Sun. Calling Up Spirits (Beggars Banquet, 1996) includes a couple of old songs, Mr Peppermint Man and The Wedge.

Dick Dale died in 2019 at the age of 81.

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